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Mouse Mat : Pictures in the Fire, cartoon from Tomahawk magazine, August 24th 1867
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Pictures in the Fire, cartoon from Tomahawk magazine, August 24th 1867
XJF265579 Pictures in the Fire, cartoon from Tomahawk magazine, August 24th 1867 (litho) (b/w photo) by Morgan, Matthew " Matt" Somerville (1839-90); Private Collection; (add.info.: critical of Queen Victoria (1819-1901) and her servant John Brown ( The Mystery of the Season); Morgan was known for political and anti royalist cartoons; ); English, out of copyright
Media ID 12784879
© www.bridgemanart.com
Critique Scandal Teepee Anti Establishment
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This black and white lithograph, titled "Pictures in the Fire" is a thought-provoking cartoon that was featured in the renowned Tomahawk magazine on August 24th, 1867. Created by Matthew "Matt". Somerville Morgan, a prominent English political cartoonist known for his critical and anti-royalist illustrations, this particular piece offers a scathing critique of Queen Victoria (1819-1901) and her servant John Brown. The image depicts Queen Victoria sitting beside a roaring fire, engrossed in the flickering flames. However, upon closer inspection, one can discern hidden symbolism within the illustration. A scandalous lion's head emerges from the fire as if whispering secrets into Victoria's ear while she wears her regal crown atop her head. Surrounding the queen are various figures dressed in Native American Indian costumes; perhaps representing an allegory for colonialism or imperialism prevalent during Victorian times. The inclusion of teepees further emphasizes this notion. Morgan's satirical approach to addressing politics and challenging established institutions shines through this artwork. With its anti-establishment undertones and sharp wit, "Pictures in the Fire" serves as both a historical artifact reflecting Victorian society and an enduring testament to Morgan's artistic prowess. Now part of a private collection but available for public viewing due to its out-of-copyright status, this lithograph continues to captivate viewers with its intriguing blend of scandalous imagery and political commentary.
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