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Mouse Mat : Portrait of Vittoria della Rovere as St. Helena, 1669 (oil on canvas)
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Portrait of Vittoria della Rovere as St. Helena, 1669 (oil on canvas)
XIR160677 Portrait of Vittoria della Rovere as St. Helena, 1669 (oil on canvas) by Sustermans, Justus (1597-1681); 66x50 cm; Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: wife of the Grand Duke Ferdinand II de Medici; ); Flemish, out of copyright
Media ID 22604668
© Bridgeman Images
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Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
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Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait, titled "Portrait of Vittoria della Rovere as St. Helena" showcases the exquisite talent of Flemish artist Justus Sustermans. Painted in 1669, this oil on canvas masterpiece measures 66x50 cm and is currently housed at Palazzo Corsini, Gallerie Nazionali Barberini Corsini in Rome, Italy. The subject of the painting is Vittoria della Rovere, who assumes the role of St. Helena - the mother of Emperor Constantine and a significant figure in Christian history. Dressed elegantly with a delicate lace collar adorning her neck, Vittoria exudes grace and sophistication. Sustermans skillfully captures every intricate detail with his brushstrokes - from the fine lines on her face to the elaborate embroidery on her dress. The warm color palette adds depth and richness to the composition while highlighting Vittoria's regal presence. As wife to Grand Duke Ferdinand II de Medici, Vittoria holds immense power and influence within Florentine society during this period. This portrait serves as a testament to her importance as well as an expression of her devotion to Christianity through embodying St. Helena. Displayed against a dark background, Vittoria stands proudly holding what appears to be a fragment of the True Cross - symbolizing her connection to religious heritage and faith. Overall, Sustermans' "Portrait of Vittoria della Rovere as St. Helena" not only demonstrates his
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