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Mouse Mat : Prophets and the End of the World, entrance wall of the Chapel of the Madonna di San
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Prophets and the End of the World, entrance wall of the Chapel of the Madonna di San
XIR434199 Prophets and the End of the World, entrance wall of the Chapel of the Madonna di San Brizio, 1499-1504 (oil on canvas) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: Prophetes and end of the world; ); Italian, out of copyright
Media ID 22670110
© Bridgeman Images
Apocalypse Apocalyptic Brixio Cowering Damned Demon Demons Doorway Prophet Putti Revelation Signorelli Luca 1450 1523 Cherubim Cherubs
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print captures the awe-inspiring entrance wall of the Chapel of the Madonna di San Brizio in Orvieto, Italy. Painted by Luca Signorelli between 1499 and 1504, this oil on canvas masterpiece is titled "Prophets and the End of the World". The artwork depicts a scene filled with revelation and destruction. Intricately detailed, the painting showcases a group of male prophets cowering before an apocalyptic vision. Demons and angels surround them, creating a dramatic contrast between good and evil. Cherubs and putti add an ornamental touch to this 16th-century work. Signorelli's skill as a painter shines through in his ability to capture both fear and beauty simultaneously. The composition draws viewers into its narrative, inviting contemplation about life's ultimate fate. Located within the Duomo (Cathedral of Santa Maria Assunta), this piece serves as a testament to Italian Renaissance artistry at its finest. Its historical significance cannot be overstated; it stands as one of Signorelli's most renowned works. This image transports us back in time, allowing us to appreciate not only Signorelli's talent but also his profound understanding of human emotions. It serves as a reminder that even amidst chaos and uncertainty, art has the power to inspire reflection and provoke thought for centuries to come.
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