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Mouse Mat : ST. CATHERINE OF ALEXANDRIA (early 4th century A. D. ). The martyrdom of Saint Catherine

ST. CATHERINE OF ALEXANDRIA (early 4th century A. D. ). The martyrdom of Saint Catherine



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ST. CATHERINE OF ALEXANDRIA (early 4th century A. D. ). The martyrdom of Saint Catherine

ST. CATHERINE OF ALEXANDRIA
(early 4th century A.D.). The martyrdom of Saint Catherine. Woodcut, c1530, by Hans Sebald Beham

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12411554

1530 4th Century Alexandria Alexandrian Beham Break Death Early Christian Hans Katharine Kill Kneel Martyr Necklace Saint Scabbard Scepter Sebald Stump Turban Wheel


Mouse Pad

Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print showcases the martyrdom of St. Catherine of Alexandria, a revered figure from the early 4th century A. D. The woodcut, created in 1530 by German artist Hans Sebald Beham, beautifully captures the intensity and significance of this historical event. In the image, we witness St. Catherine kneeling before her executioners with unwavering faith and courage. Surrounding her are men and women who have gathered to witness this tragic moment in ancient Alexandria. St. Catherine's regal presence is emphasized by her necklace, scepter, and scabbard, symbolizing her noble lineage as well as her commitment to Christianity. The composition skillfully portrays the dramatic elements of this scene: a wheel - an instrument used for torture - lies broken beside St. Catherine while a stump signifies both destruction and resilience. Her oppressors wear turbans that hint at their origins from distant lands. Hans Sebald Beham's woodcut exemplifies his mastery in capturing emotions through intricate details carved into woodblocks. This Renaissance-era artwork not only commemorates the life and death of Saint Catherine but also serves as a testament to religious devotion during early Christian times.

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