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Mouse Mat : First Council of Nicaea, First Half of 16th century. Artist: Strelitzas, Theophanes (Theophanes the Cretan) (ca 1500-1559)
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First Council of Nicaea, First Half of 16th century. Artist: Strelitzas, Theophanes (Theophanes the Cretan) (ca 1500-1559)
First Council of Nicaea, First Half of 16th century. Found in the collection of Stavronikita monastery, Mount Athos
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Media ID 15031110
© Fine Art Images
Byzantine Art Constantine Constantine I Constantine The Great Ecumenical Council Emperor Constantine Flavius Valerius Aurelius Constantinus Fresco Mount Athos Nicaea School Of Crete Synod Of Nicaea First Council
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Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the historic moment of the First Council of Nicaea, which took place in the first half of the 16th century. The artist behind this masterpiece is none other than Strelitzas, Theophanes (Theophanes the Cretan), a renowned figure in Byzantine art during his time. This remarkable painting can be found within the esteemed collection of Stavronikita monastery, nestled on Mount Athos. The image depicts an assembly of prominent figures from Christianity's early days, including Emperor Constantine himself. Assembled under his patronage and guidance, this council aimed to address theological disputes and establish a unified doctrine for all Christians. It was here that crucial decisions were made regarding key aspects such as Easter observance and the nature of Christ. The fresco showcases intricate details and vibrant colors characteristic of Byzantine artistry. Each figure exudes a sense of importance and reverence as they engage in intense discussions about matters that would shape Christian beliefs for centuries to come. This photograph not only serves as a visual testament to an important historical event but also highlights the significance of Mount Athos as a repository for priceless religious artifacts. Its presence within Stavronikita monastery adds another layer to its cultural value. With its rich symbolism and artistic finesse, this print stands as a tribute to both religious history and fine artistry – capturing an enduring moment that continues to resonate with believers around the world today.
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