Mouse Mat > Arts > Artists > F > Carel Fabritius
Mouse Mat : Self-Portrait, c. 1645. Artist: Fabritius, Carel (1622-1654)
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Self-Portrait, c. 1645. Artist: Fabritius, Carel (1622-1654)
Self-Portrait, c. 1645. Found in the collection of the Museum Boijmans Van Beuningen, Rotterdam
Heritage Images features heritage image collections
Media ID 14897996
© Fine Art Images
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Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This self-portrait by Dutch artist Carel Fabritius, created around 1645, offers a glimpse into the mind and talent of a masterful painter. Displayed in the esteemed Museum Boijmans Van Beuningen in Rotterdam, this fine art print showcases Fabritius' exceptional skill in capturing his own likeness with remarkable detail and introspection. In this Baroque masterpiece, Fabritius presents himself as a young man with an air of confidence and contemplation. The play of light and shadow on his face adds depth to his expression, revealing layers of emotion that invite viewers to ponder upon the inner thoughts of the artist. His eyes seem to hold secrets untold, while every brushstroke conveys a sense of purpose and dedication. Painted using oil on wood, this portrait exemplifies Fabritius' technical prowess as he expertly renders textures such as the delicate lace collar or the softness of his own skin. The composition is carefully balanced with subtle hints at symbolism; from the positioning of his hand to the choice of clothing, each element contributes to an overall narrative that remains open for interpretation. Fabritius was tragically cut short in his prime at just 32 years old when he perished in an explosion that destroyed much of Delft. However brief his career may have been, this self-portrait stands as a testament to his undeniable talent and artistic vision. As we gaze upon this print today, we are reminded not only of Fabritius' brilliance
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