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Mouse Mat : Shylock (Twelve Characters from Shakespeare), March 15, 1776
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Shylock (Twelve Characters from Shakespeare), March 15, 1776
Heritage Images features heritage image collections
Media ID 20571287
© Heritage Art/Heritage Images
Anti Jewish Anti Semitic Anti Semitism Fictional Character Jewish John Hamilton John Hamilton Mortimer Judaism Mahajan Moneylender Mortimer Mortimer John Hamilton Shakespeare Shakespeare William Shakespearean Shakspeare Shylock Stereotype Stereotyping The Merchant Of Venice Venetian Venice Italy Villain William Shakespeare
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Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print titled "Shylock (Twelve Characters from Shakespeare), March 15,1776" captures a powerful depiction of the infamous character from William Shakespeare's play, The Merchant of Venice. Created by John Hamilton Mortimer in the 18th century, this black and white etching reflects the prevailing anti-Semitic sentiments of that era. Mortimer's portrayal of Shylock as a Jewish moneylender embodies the stereotypes prevalent in British society at the time. The artist skillfully captures both the costume and dress typical of eighteenth-century England, adding authenticity to his interpretation. This artwork raises important questions about how literature and art can perpetuate harmful stereotypes. Shylock's characterization as a villainous figure reinforces negative perceptions associated with Judaism and Jewish people during this period. As we view this piece today, it serves as a reminder of our collective responsibility to challenge prejudice and discrimination. It prompts us to reflect on how historical biases have shaped our understanding of different cultures and religions. Displayed in museums like The Met, Mortimer's work invites viewers to engage critically with its context while appreciating its artistic merit. By acknowledging its anti-Semitic undertones, we can foster dialogue about representation in art throughout history. While recognizing that this image may be uncomfortable for some due to its association with anti-Semitism, it is essential to approach it within an educational framework that promotes understanding rather than perpetuating hate or discrimination.
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