Mouse Mat : Temple Confucius Peking Felice Beato English
Home Decor from Liszt Collection
Temple Confucius Peking Felice Beato English
Temple of Confucius, Peking; Felice Beato (English, born Italy, 1832 - 1909), Henry Hering (British, 1814 - 1893); Pekin, China; negative October 1860; print 1862; Albumen silver print
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18489119
© Liszt Collection
1814 1832 1860 1893 1909 Born Italy China Confucius Felice Beato Henry Hering Negative October Pekin Peking Print 1862 Temple
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This photo print, titled "Temple Confucius Peking" takes us back in time to the bustling city of Pekin, China, during the 19th century. The image was captured by Felice Beato, an English photographer born in Italy in 1832 and known for his remarkable documentation of East Asia. The photograph showcases the magnificent Temple of Confucius in all its glory. Its intricate architecture and grandeur are beautifully depicted through this albumen silver print. The temple stands as a testament to Chinese culture and history, serving as a place of worship and reverence for one of China's most influential philosophers. Accompanying Beato on this photographic endeavor is Henry Hering, a British artist who collaborated with him to create this stunning visual representation. Together, they managed to capture not only the physical beauty of the temple but also its cultural significance. This particular print dates back to October 1860 when Beato took the negative during his exploration of Pekin. Two years later, in 1862, he produced this exquisite albumen silver print that has now become part of the renowned Liszt Collection. As we gaze upon this historical masterpiece today, it transports us back to a different era—a time when ancient traditions coexisted with modern developments in China's capital city. It serves as a reminder of our shared human heritage and invites us to appreciate both the architectural marvels and philosophical teachings that have shaped civilizations throughout history.
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