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Mouse Mat : CANOVA, Antonio (1757-1822). The Graces and Venus
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CANOVA, Antonio (1757-1822). The Graces and Venus
CANOVA, Antonio (1757-1822). The Graces and Venus dancing in front of Mars. Circa 1798. Neoclassicism. Tempera. ITALY. Possagno. Museum of Antonio Canova
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Media ID 8280397
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10685144
Antonio Canova Graces Insides Mars Neo Classicism Tempera Venus Possagno
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Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stunning tempera painting by the renowned Italian Neoclassical sculptor and painter, Antonio Canova, depicts a captivating scene of The Graces and Venus dancing in front of Mars. Painted circa 1798, this masterpiece is a testament to Canova's exceptional artistic abilities and his deep understanding of the classical world. The interior setting of the Museum of Antonio Canova in Possagno, Italy, provides a fitting backdrop for this horizontal composition. The muted color palette, characteristic of Neoclassicism, creates an atmosphere of serenity and elegance. The Graces, personified as three beautiful women, are shown gracefully dancing around Venus, the goddess of love and beauty. Venus, depicted as a voluptuous woman with an enchanting smile, gazes seductively at Mars, the god of war, who stands motionless in the background, watching the scene unfold. The intricate details of the painting, from the delicate folds of the Graces' flowing robes to the subtle expressions on their faces, are a testament to Canova's mastery of the tempera technique. The contrast between the gentle, feminine energy of the Graces and Venus and the powerful, masculine presence of Mars adds depth and complexity to the scene. This painting is a rare example of Canova's ability to capture the essence of classical mythology and bring it to life in a way that continues to captivate and inspire viewers today. The Museum of Antonio Canova in Possagno is a must-visit destination for anyone interested in the history of art and the enduring legacy of this great Italian master.
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