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Mouse Mat : The Merchant of Venice - title page
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The Merchant of Venice - title page
The Merchant of Venice - title page - Shylock and the disguised Portia in court.
1862
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14371682
© Mary Evans Picture Library
1862 Bond Comedy Contract Disguise Disguised Dispute Drama Dressing Gilbert Jewish Judge Lawyer Legal Merchant Moneylender Portia Shakespeare Shylock Title Venice
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This title page, hailing from the 1862 edition of The Merchant of Venice, offers a tantalizing glimpse into the intriguing world of Shakespeare's classic play. The image, published by the esteemed Victorian firm of Sampson Low, Marston, Low & Searle, is an exquisite example of the illustrated books that flourished during this period. At the heart of the design lies the dramatic confrontation between Shylock, the Jewish moneylender, and Portia, the disguised Lady Justice. The title, set against a richly textured background, is framed by elaborate columns, symbolizing the legal proceedings that unfold within the pages of the play. Shylock, with his furrowed brow and clenched fist, is a picture of determination and anger, while Portia, in her disguise as the wise and impartial judge, exudes calm authority. The cross-dressing Portia, a common theatrical device of the time, adds an intriguing layer to the image, emphasizing the legal and moral complexities of the drama. The title page also features the image of a gavel, a symbol of the law, and the inscription "A Comedy in Three Parts," highlighting the play's status as a work of English literature and theatre. The presence of Sir John Gilbert, a renowned illustrator of the era, adds to the print's allure, making this title page a captivating artifact of Shakespearean drama and Victorian literature.
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