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Mouse Mat : Head of a Saint : possibly a Fragment of a Nativity

Head of a Saint : possibly a Fragment of a Nativity



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Head of a Saint : possibly a Fragment of a Nativity

Head of a Saint : possibly a Fragment of a Nativity. Master of the Female Half-Lengths fl. 1520-1540

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 13101411

© National Museums NI / MARY EVANS

Flemish Fragment Half Lengths Master Nativity Panel Possibly


Mouse Pad

Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This exquisite oil on panel painting depicts the head of a saint, possibly a fragment from a larger Nativity scene. The masterful artwork is attributed to the Flemish painter, Master of the Female Half-Lengths, who is known for his detailed and expressive portrayals of religious figures. The saint's face is serene and contemplative, with a gentle smile playing at the corners of his mouth. His long, curly hair is meticulously rendered, cascading down his shoulders in soft waves. The saint's halo is adorned with intricate patterns and delicate foliage, adding to the sense of otherworldly beauty and divinity. The background of the painting is simple yet evocative, with a subtle golden glow that suggests the presence of the Nativity scene beyond the frame. The use of oil paint allows for a rich, velvety texture, bringing the saint's features to life with remarkable detail and depth. The painting's small size belies its intricacy and emotional impact. The Master of the Female Half-Lengths was an active painter in Flanders during the early 16th century, and this head of a saint is a testament to his skill and artistic vision. The painting's delicate beauty and spiritual depth make it a treasured work of art, worthy of close examination and contemplation.

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