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Mouse Mat : Bystander cover - Mrs Ronald Armstrong-Jones
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Bystander cover - Mrs Ronald Armstrong-Jones
Mrs Ronald Armstrong-Jones, formerly Anne Messel (later Parsons). She was married to Ronald Armstrong-Jones, with whom she had a daughter and a son, before she married Michael Parsons, 6th Earl of Rosse on 19 September 1935. The couple had two sons. Her eldest son Antony Armstrong-Jones, Earl of Snowden (from her previous marriage with Ronald Armstrong-Jones) married Princess Margaret. Date: 1930
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Media ID 23268626
© Illustrated London News Ltd/Mary Evans
Anne Armstrong Armstrong Jones Bystander Countess Jones Jul19 Messel Raphael Ronald Rosse
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.4cm x 24.2cm (6.9" x 9.5")
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This striking cover image from the British magazine Bystander, dated July 1930, features Anne Messel, later known as Mrs. Ronald Armstrong-Jones, Countess of Rosse. At the time of this photograph, Anne was married to Ronald Armstrong-Jones, with whom she had two children, a daughter and a son. Her eldest son, Antony Armstrong-Jones, Earl of Snowden, would later make headlines when he married Princess Margaret in 1960. Anne's second marriage was to Michael Parsons, 6th Earl of Rosse, on 19 September 1935. With the Earl, she had two more sons. The vibrant color portrait, taken by renowned photographer Raphael, showcases Anne's elegant and sophisticated style, embodying the spirit of high society in the 1930s. The image, now part of the extensive collection at Mary Evans Picture Library, offers a captivating glimpse into the past, providing a window into the lives of the aristocracy and the social scene of the era. This cover is a testament to the enduring allure of historical portraits and the stories they tell.
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