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Mouse Mat : Sketch cover - five views of Chatelaine of Naworth, Yevonde
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Sketch cover - five views of Chatelaine of Naworth, Yevonde
Front cover of The Sketch featuring an unusual portrait of the Countess of Carlisle, formerly the Hon. Bridget Hore-Ruthven, eldest daughter of the 9th Lord Ruthven and sister of the famous Ruthven twins. She married Lord Carlisle in 1918. Date: 1936
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Media ID 23091864
© Yevonde Portrait Archive/ILN/Mary Evans Picture Library
Aristocracy Aristocrat Atmospheric Bridget Carlisle Countess Hore Madame Nov18 Peerage Ruthven Unusual Yevonde
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Estimated Image Size (if not cropped) is 17.1cm x 24.2cm (6.7" x 9.5")
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photographic print showcases five unique perspectives of the enigmatic and avant-garde portrait of the Hon. Bridget Hore-Ruthven, Countess of Carlisle, which graced the front cover of The Sketch magazine in 1936. The Countess, formerly known as Yevonde, was the eldest daughter of the 9th Lord Ruthven and sister of the renowned Ruthven twins. Her marriage to Lord Carlisle in 1918 marked her entry into the aristocratic circle. The portrait, captured by the visionary photographer Madame Yevonde, defied the conventional norms of society and the peerage with its unusual and atmospheric composition. Madame Yevonde, known for her innovative approach to portrait photography, employed a dramatic use of lighting and intriguing props to create an ethereal and otherworldly effect. In this print, we are treated to five distinct views of the Countess's portrait, each revealing a new facet of her character and the artist's ingenuity. The first view presents the full portrait, with the Countess gazing intently at the viewer, her expression both enigmatic and alluring. The second view offers a close-up of her intricately adorned headdress, a testament to the opulence and elegance of the era. The third view showcases the Countess's hands, delicately placed on a velvet cushion, evoking a sense of refinement and poise. The fourth view offers a glimpse into the artist's studio, with the Countess's portrait hanging amidst an array of props and lighting equipment. Lastly, the fifth view presents a reverse angle of the portrait, revealing the intricate details of the Countess's gown and the rich textures of the studio setting. This photographic print is a stunning testament to the artistic vision of Madame Yevonde and the captivating allure of the enigmatic Countess of Carlisle. It offers a glimpse into the world of the aristocracy and the societal norms of the 1930s, while also showcasing the innovative and groundbreaking work of a visionary artist.
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