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Troubadour playing on six instruments, 1815
Troubadour playing on six instruments in front of Prussian and Scots soldiers, 1815. By moving his head, elbows and knees, he plays pan pipes, mandolin, drum, triangle, cymbals and three rows of bells on his plumed hat. Handcoloured engraving from Pierre de la Mesangeres Le Bon Genre, Paris, 1817
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23194492
© Florilegius/Mary Evans
Bells Cymbals Drum Genre Instrument Instruments Mandolin Mesangere Musician Performer Pierre Pipes Prussian Triangle Troubadour Jouant
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This handcoloured engraving, titled "Troubadour playing on six instruments," depicts a street musician in full swing, entertaining Prussian and Scots soldiers during the aftermath of the Battle of Waterloo in 1815. The troubadour, with a mischievous smile and an air of pure joy, skillfully plays multiple instruments at once. He uses his head, elbows, and knees to produce melodies on the pan pipes, strums the mandolin with his right hand, strikes the drum with his left, taps the triangle with his foot, and shakes the cymbals and three rows of bells on his plumed hat. The soldiers, in their military uniforms, are intrigued by the troubadour's performance, momentarily forgetting the turmoil and tension of the battlefield. This engraving, created by Pierre de la Mesangere for his publication "Le Bon Genre" in Paris in 1817, is a testament to the power of music to bring people together, even in the most unexpected of places and circumstances.
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