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Mouse Mat : Archbishop of York cursing William the Conqueror
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Archbishop of York cursing William the Conqueror
Archbishop of York cursing William the Conqueror Date: 11th century
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Media ID 32260444
© Mary Evans Picture Library
11th 1850s 1853 Angry Archbishop Briton Chronicles Conqueror Curse Cursing Merry Mitre Throne True Vestments
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Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this intriguing and enigmatic image from the 11th century, Archbishop Thomas of York is depicted with a fierce expression as he raises his hand, seemingly to curse William the Conqueror. The scene unfolds in a grand setting, with the Archbishop seated on a throne adorned with intricate carvings, wearing his mitre and vestments. William, the powerful and formidable King of England and Normandy, is shown standing before him, wearing his crown. The origins of this image are shrouded in mystery, as it is not mentioned in any contemporary chronicles or historical records. However, it is believed to have been inspired by the complex relationship between the Church and the state during the Middle Ages. The Archbishop of York, as the second most senior bishop in the English Church, held significant political power and influence. However, this power was often at odds with the ambitions of the monarch, leading to numerous conflicts and tensions. The exact reason for the Archbishop's curse remains a subject of debate among historians. Some believe it may have been related to William's seizure of Church lands and the imposition of Norman bishops in English sees. Others suggest it may have been a symbolic act of defiance against the king's growing secular power. This striking image, which dates from the 1850s and was published in a Victorian-era magazine, offers a fascinating glimpse into the complexities of medieval English history. The contrasting expressions and body language of the two figures, the richly decorated throne and the somber colors of the Archbishop's vestments, all contribute to a sense of drama and intrigue. The image serves as a reminder of the complex and often tumultuous relationship between the Church and the state in medieval England, and the enduring power of symbolism and storytelling in shaping our understanding of the past.
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