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Mouse Mat : The Seven Virtues: The Justice. ca. 1560 - 1570
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The Seven Virtues: The Justice. ca. 1560 - 1570
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8286755
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10690222
Brussels Burgos Cardboard Coxcie Divine Flemish Frans Judgment Justice Manufacturing Michiel Silk Solomon Tapestry Wool Workshop
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This exquisite tapestry, titled "The Seven Virtues: The Justice," dates back to the late 16th century, approximately between 1560 and 1570. It is a masterpiece of Flemish art, created in a Brussels or Burgos workshop, and is a prime example of the intricate and detailed craftsmanship of the time. The central figure in this tapestry is Solomon, the embodiment of justice, seated on his throne. He is depicted in the act of delivering a judgment, symbolizing the virtue of justice. Surrounding Solomon are various scenes illustrating the concept of justice, including the blindfolded figure of Lady Justice, holding a balance and a sword, and the scales being weighed against each other. This tapestry was created using a combination of silk and wool, with intricate designs and patterns woven into the fabric. The manufacturing process would have been a labor-intensive one, requiring the skill and expertise of numerous craftsmen in the workshop. The design itself is attributed to Michiel Coxcie, a renowned Flemish artist of the time. The use of tapestries as a form of art and decoration was popular during the Renaissance period, particularly in Europe. They were often used to adorn the walls of grand houses and palaces, and were a symbol of wealth and status. This particular tapestry, with its intricate design and beautiful colors, would have been a prized possession for any noble family of the time. Despite the passage of centuries, the beauty and intricacy of this tapestry remain undiminished. It is a testament to the skill and artistry of the craftsmen who created it, and a reminder of the enduring power of art to captivate and inspire.
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