Mouse Mat : Why Smith left home Broadhursts latest farce : by George H
Home Decor from Mary Evans Picture Library
Why Smith left home Broadhursts latest farce : by George H
Why Smith left home Broadhursts latest farce : by George H. Broadhurst, author of What happened to Jones. Date c1899
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Media ID 7263939
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10588483
Broadhurst Farce Happened Jones Latest Smith
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 19.7cm x 24.2cm (7.8" x 9.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
Why Smith Left Home - Broadhurst's Latest Farce
EDITORS COMMENTS
is a theatrical poster advertising the production of George A. Broadhurst's newest play, which premiered around 1899. The poster features a humorous image of Why Smith, the protagonist, looking dejected as he packs his belongings and leaves home, with the caption "Why Smith Left Home." The play was produced by the prolific American playwright, Broadhurst, who was known for his comedies and farces, including the successful "What Happened to Jones." The poster's design is eye-catching, with bold typography and a colorful palette that would have attracted attention in the crowded theater district. The image of Why Smith, with his sad expression and suitcase in hand, would have piqued the curiosity of potential audience members, making them wonder what could have caused him to leave home. Broadhurst's plays were popular in their time, and "Why Smith Left Home" likely drew large crowds to the theater. The poster's tagline, "Broadhurst's Latest Farce," would have been enough to entice theatergoers who were fans of the author's previous works. The poster's simple yet effective design effectively conveys the essence of the play and would have been an essential marketing tool for promoting the production. Today, this poster is a valuable piece of theater history, providing a glimpse into the world of late 19th-century American theater and the marketing tactics used to attract audiences. It is a reminder of the enduring appeal of farce and the power of a well-designed poster to generate excitement and intrigue.
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