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Mouse Mat : A group of skinheads in Southend, Essex. 4th April 1983
Home Decor from Memory Lane
A group of skinheads in Southend, Essex. 4th April 1983
Davies
Daily Mirror
Mirrorpix
Southend
Essex
England
DM 83 1774
Media ID 21846583
© Mirrorpix
Culture Police Seaside Skinhead Subculture 1983
Mouse Pad
Bring some life into your office, or create a heartfelt gift, with a personalised deluxe Mouse Mat. Made of high-density black foam with a tough, stain-resistant inter-woven cloth cover they will brighten up any home or corporate office.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Product Size is 24.2cm x 19.7cm (9.5" x 7.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print titled "A group of skinheads in Southend, Essex. 4th April 1983" we are transported back to the vibrant and rebellious atmosphere of the early 1980s. Taken by Davies, a keen observer of youth culture, this snapshot encapsulates the essence of a subculture that emerged as an expression of identity and defiance. Set against the backdrop of Southend's picturesque seaside, a group of young skinheads proudly display their distinctive fashion choices. Their shaved heads, braces-clad trousers, and Doc Martens boots symbolize their affiliation with a movement known for its working-class roots and anti-establishment stance. The intricate details on their clothing speak volumes about their dedication to personal style within this tight-knit community. Amidst them stands an adorable dog - perhaps an unexpected companion but nonetheless embraced by these individuals who find solace in each other's company. This canine presence adds warmth to the scene while also serving as a reminder that even amidst rebellion, love and loyalty can be found. Notably present is law enforcement represented by police officers standing nearby. Their watchful gaze hints at tensions between authority figures and this misunderstood subculture during that era. Davies' photograph freezes time, capturing both the camaraderie amongst these young rebels and society's reaction towards them. It serves as a powerful testament to how fashion choices can become symbols of resistance while simultaneously fostering unity among those seeking acceptance in an ever-changing world.
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