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Tomb of the Grand Vizier, Koca Mehmet Raga?p Pasha
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Tomb of the Grand Vizier, Koca Mehmet Raga?p Pasha
Tomb of the Grand Vizier, Koca Mehmet Raga?p Pasha, Ottoman statesman, 1698-1763. Tomba. Handcoloured copperplate engraving by Verico after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Modern o Story, Florence, 1842. Copied from Ignace Mouradgea d Ohssons Tableau General de L Empire Othoman, Paris, 1790
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Media ID 23384530
© Florilegius
Antico Cemetery Dohsson Eyup Ferrario Giulio Grave Gravestone Graveyard Ignace Islam Istanbul Koca Lempire Mehmet Mouradgea Mourners Muslim Othoman Pasha Passage Peoples Rites Robe Tableau Tomb Turban Verico Vizier Ottoman
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1. Title: Mourners Gathered at the Tomb of Grand Vizier Koca Mehmet Ragip Pasha, Istanbul, 18th Century This evocative handcoloured copperplate engraving, created by Verico after Giulio Ferrario's "Costumes Ancient and Modern of the Peoples of the World," offers a glimpse into the solemn rites and traditions surrounding the passage of a prominent Ottoman statesman. The image depicts a large gathering of mourners, dressed in the richly decorated robes and turbans typical of the Ottoman elite, gathered at the tomb of Grand Vizier Koca Mehmet Ragip Pasha, located in the historic Muslim cemetery of Eyup in Istanbul. Grand Vizier Koca Mehmet Ragip Pasha, an Ottoman statesman of Albanian origin, served under Sultan Osman III and Ahmed III between 1720 and 1763. He was a highly influential figure in Ottoman politics and diplomacy, playing a key role in the empire's foreign relations and internal administration. His tomb, adorned with intricate Islamic calligraphy and geometric patterns, stands as a testament to his importance in Ottoman history. The scene captured in this engraving is likely that of a janazah, or funeral procession, which is an essential part of Islamic burial rites. The mourners, dressed in their finest clothing, gather to pay their respects to the deceased and offer condolences to the family. The sombre atmosphere is further emphasized by the dimly lit surroundings and the use of subdued colours in the engraving. This historical illustration, originally published in Ignace Mouradgea d'Ohsson's "Tableau General de L'Empire Othoman," provides a fascinating insight into the fashion, customs, and religious practices of the Ottoman world during the 18th century. The intricate details of the turbans, robes, and other elements of the mourners' attire offer a glimpse into the opulence and grandeur of the Ottoman court, while the solemn scene at the tomb underscores the importance of community and tradition in the face of loss.
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