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Photo Mug : George Taylors Epitaph, c. 1750 (pen & ink over graphite on paper)

George Taylors Epitaph, c. 1750 (pen & ink over graphite on paper)



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George Taylors Epitaph, c. 1750 (pen & ink over graphite on paper)

XYC281150 George Taylors Epitaph, c.1750 (pen & ink over graphite on paper) by Hogarth, William (1697-1764); 2.9x31.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: Death giving George Taylor a cross buttock; ); English, out of copyright

Media ID 12794615

© www.bridgemanart.com

Beating Grim Reaper Kicking Muscular Pain Taylor Dying


Photo Mug

Bring a piece of history to your morning routine with our Media Storehouse Photo Mugs. Featuring the intricate detail and timeless beauty of George Taylor's Epitaph, a 1750 pen & ink and graphite drawing by William Hogarth from the Yale Center for British Art, these mugs make for a unique and thoughtful gift. Each mug holds your favorite beverage while showcasing the captivating artistry of this historic masterpiece. Add a touch of art to your daily life with Media Storehouse Photo Mugs.

A personalised photo mug blends sentimentality with functionality, making an ideal gift for cherished loved ones, close friends, or valued colleagues. Preview may show both sides of the same mug.

Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.

Mug Size is 8.1cm high x 9.6cm diameter (3.2" x 3.8")

These are individually made so all sizes are approximate


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> Fine Art Finder > Afterlife, Folklore, Supernatural &

> Fine Art Finder > Artists > William Hogarth


EDITORS COMMENTS
This print showcases "George Taylor's Epitaph" by the renowned artist William Hogarth. Created around 1750, this piece is a remarkable example of pen and ink over graphite on paper. Measuring at 2.9x31.6 cm, it is housed in the prestigious Yale Center for British Art as part of the Paul Mellon Collection in the USA. The artwork depicts an intriguing scene where Death himself appears to be giving George Taylor a cross buttock - a wrestling move that involves lifting one's opponent off their feet and throwing them to the ground. The skeletal figure of Death looms over Taylor, who is depicted nude and muscular, emphasizing his vulnerability in the face of mortality. Hogarth's masterful sketch captures not only physical pain but also conveys emotional turmoil through his expressive lines and attention to detail. The image portrays Taylor as a taylor (not related to any company), symbolizing his profession while facing his imminent demise. This thought-provoking composition explores themes of mortality, human fragility, and our inevitable encounter with death itself. It serves as a reminder that no matter how strong or skilled we may be in life, we are all ultimately subject to its finality.

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