Photo Mug : Miss Painter, horse belonging to Frank Freeman
Home Decor from Mary Evans Picture Library
Miss Painter, horse belonging to Frank Freeman
Miss Painter, a horse belonging to the the huntsman Frank Freeman, member of the Pytchley Hunt, Northamptonshire. Date: 1936
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14230177
© Mary Evans Picture Library
Aldin Bridle Foxhunt Foxhunting Frank Freeman Hunt Hunter Huntsman Mare Midland Midlands Northamptonshire Northants Painter Pytchley Saddle 1936 Miss
Photo Mug
Introducing the Media Storehouse Photo Mug, a perfect blend of functionality and personalization. Featuring a stunning equestrian image, "Miss Painter" - the beloved horse of huntsman Frank Freeman from the Pytchley Hunt in Northamptonshire, as captured in 1936. This timeless photograph, sourced from Mary Evans Prints Online, is now available to adorn your mug for daily use or as a thoughtful gift. Share your love for horses and history with every sip.
A personalised photo mug blends sentimentality with functionality, making an ideal gift for cherished loved ones, close friends, or valued colleagues. Preview may show both sides of the same mug.
Elevate your coffee or tea experience with our premium white ceramic mug. Its wide, comfortable handle makes drinking easy, and you can rely on it to be both microwave and dishwasher safe. Sold in single units, preview may show both sides of the same mug so you can see how the picture wraps around.
Mug Size is 8.1cm high x 9.6cm diameter (3.2" x 3.8")
These are individually made so all sizes are approximate
EDITORS COMMENTS
Miss Painter: The Elegance and Tradition of a Huntsman's Mare, 1936 This photograph captures the essence of the English countryside and the time-honored tradition of foxhunting, as embodied in the majestic figure of Miss Painter, Frank Freeman's beloved mare. The image, taken in Northamptonshire during the 1930s, presents a striking tableau of the huntsman, his loyal steed, and the elusive quarry, the fox. Frank Freeman, a distinguished member of the Pytchley Hunt, sits confidently in the saddle of Miss Painter, his attire reflecting the elegance and refinement of the sport. The mare, a fine example of a hunter, is adorned with a sleek saddle and bridle, her coat glistening with the sheen of health and vitality. Her eyes, bright and alert, betray her eagerness to join the chase. In the background, the rolling hills of Northamptonshire provide a picturesque backdrop, dotted with trees and hedgerows that have sheltered generations of foxes. The scene is completed by the sight of a fox, cunningly concealed among the undergrowth, its ears pricked in anticipation of the hunt. This photograph is a testament to the enduring allure of the English countryside and the rich history of foxhunting. It offers a glimpse into a bygone era, where the pursuit of the fox was a cherished pastime, steeped in tradition and rooted in the bond between man and horse. The image of Miss Painter and Frank Freeman, their faces set in determination and focus, serves as a reminder of the unwavering connection between the huntsman, his horse, and the land they call home.
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