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Photographic Print : The Wife of the Period - Suffer No Little Children to Come Unto Me, 1869 (wood engraving)

The Wife of the Period - Suffer No Little Children to Come Unto Me, 1869 (wood engraving)



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The Wife of the Period - Suffer No Little Children to Come Unto Me, 1869 (wood engraving)

1078675 The Wife of the Period - Suffer No Little Children to Come Unto Me, 1869 (wood engraving) by Nast, Thomas (1840-1902); Collection of the New-York Historical Society, USA; (add.info.: The Wife of the Period - Suffer No Little Children to Come Unto Me, from Harpers Bazar, page 253, April 17, 1869.
); eNew York Historical Society; American, out of copyright

Media ID 23084474

© New York Historical Society / Bridgeman Images

Audience Crate Duty Equality Mask Masks Masquerade Rejecting Rejection Sexism Sexist Society Life Writing On The Wall Harpers Bazaar


12"x8" (30x20cm) Photo Print

Experience the captivating allure of history with Media Storehouse's exquisite range of Photographic Prints. This particular print showcases Thomas Nast's iconic wood engraving, "The Wife of the Period - Suffer No Little Children to Come Unto Me," from 1869. Originally published in Harper's Weekly, this powerful image is a testament to the social commentary of the time, as Nast sheds light on the plight of children in urban environments. Add this stunning piece to your collection and bring a piece of history into your home or office. Each print is meticulously produced using the highest quality materials, ensuring a vibrant and long-lasting display. Immerse yourself in the rich storytelling of this timeless masterpiece.

Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 31.4cm x 21.2cm (12.4" x 8.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Fine Art Finder > Artists > Henry R. Robinson

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> Humour > Related Images

> North America > United States of America > New York > Related Images

> Popular Themes > Politics


The Wife of the Period - Suffer No Little Children to Come Unto Me, 1869

EDITORS COMMENTS
is a thought-provoking wood engraving by Thomas Nast that captures the complexities of societal expectations and gender roles in 19th-century America. The image depicts a masquerade party where men and women are wearing masks, symbolizing their hidden identities and conforming to social norms. In this satirical cartoon, Nast critiques the traditional role of women as wives and mothers. The central figure, representing "The Wife of the Period" stands defiantly with her arms crossed, rejecting a child who approaches her. This powerful gesture challenges the prevailing notion that women should prioritize motherhood above all else. Nast's use of humor highlights the absurdity of these societal expectations. The writing on the wall behind "The Wife" further emphasizes this point, suggesting that society imposes its own rules upon individuals. This artwork also touches on political themes such as equality and sexism prevalent during that era. By portraying a woman refusing children at an opera box party attended by both genders, Nast questions whether women have agency over their own lives or if they are merely objects for male pleasure. Overall, "The Wife of the Period - Suffer No Little Children to Come Unto Me" serves as a reminder of how far society has come in terms of gender equality while prompting us to reflect on lingering stereotypes and expectations placed upon individuals based on their gender roles.

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