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Photographic Print : The Miner, 1925 (oil on canvas)

The Miner, 1925 (oil on canvas)



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The Miner, 1925 (oil on canvas)

1765997 The Miner, 1925 (oil on canvas) by Luks, George Benjamin (1867-1933); 153.1x128 cm; National Gallery of Art, Washington DC, USA; American, out of copyright

Media ID 25164662

© Bridgeman Images

Ashcan School Boots Coal Mining Dusty Flask Miner Mining Pennsylvania Realism Realist Staring Tired Davy Lamp Laborer Pottsville


10"x8" (25x20cm) Photo Print

Bring the timeless beauty of George Benjamin Luks' "The Miner, 1925" into your home with our Media Storehouse range of Photographic Prints. This stunning oil on canvas masterpiece, now out of copyright, captures the raw emotion and grit of the American working class. The Miner, 1925 is a powerful representation of the strength and resilience of the human spirit, making it a must-have addition to any art collection. Our high-quality photographic prints are printed on premium paper and carefully crafted to preserve the rich colors and intricate details of this iconic work. Experience the artistry of Luks in your own space with our authentic, museum-quality reproductions from Bridgeman Images and Fine Art Finder.

Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > George Benjamin Luks

> Fine Art Finder > Artists > Joseph Stella

> Arts > Art Movements > Realism

> Arts > Artists > L > George Luks

> Arts > Artists > W > George Washington

> Arts > Artists > W > Georges Washington

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Arts > Street art graffiti > Portraits > Realism

> Arts > Street art graffiti > Portraits > Urban art

> Arts > Street art graffiti > Realism > Realism art gallery

> Arts > Street art graffiti > Urban art > Portraits

> Arts > Street art graffiti > Urban art > Realism


The Miner, 1925

EDITORS COMMENTS
is a captivating oil painting by George Benjamin Luks that depicts the gritty reality of a coal miner's life in early 20th century America. In this powerful artwork, we see a tired and weathered man sitting on a wooden stool, his worn-out boots resting on the dusty ground. The miner stares into the distance with an expression of weariness and contemplation etched across his face. Luks' realistic style brings to life every detail of this laborer's existence. From the davy lamp hanging from his belt to the pipe clenched between his teeth, each element tells a story of hard work and perseverance. The artist skillfully captures both the physical exhaustion and mental strain endured by those working in Pennsylvania's coal mines. As we observe this full-length portrait, we cannot help but feel drawn into the miner's world. His seated position suggests a momentary respite from backbreaking labor, while also emphasizing his vulnerability within such hazardous conditions. The flask at his side serves as a reminder of how these men sought solace amidst their grueling daily routines. Luks' portrayal is part of the Ashcan School movement which aimed to capture scenes from everyday urban life with unflinching realism. "The Miner" stands as an enduring testament to not only one man's struggle but also represents countless others who dedicated their lives to fueling industrial progress. This print allows us to appreciate Luks' masterful brushwork and invites us to reflect upon

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