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Photographic Print : A Soviet propaganda plate, painted with the profile of Lenin 1922 (porcelain)
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A Soviet propaganda plate, painted with the profile of Lenin 1922 (porcelain)
1195631 A Soviet propaganda plate, painted with the profile of Lenin 1922 (porcelain) by Adamovich, Mikhail (1884-1947) (after); 25.2 (diam) cm; Private Collection; (add.info.: the slogan He who does not work does not eat
Adamovich, Mikhail (1884-1947) (after)); Photo © Christies Images
Media ID 25212760
© Christie's Images / Bridgeman Images
1922 Applied Art Armouries Armoury Artist Russian Bird Of Prey Communism Communist Communists Comunist Crockery Decorative Technique Double Headed Eagle Famous Person Form Historical Figure Historical Personality Homeland Household Equipment Human Like Human Likeness Image Propaganda Imperial Porcelain Factory Incopyright Kitchenware Lenin Lenin Vladimir Ilitch 1870 1924 Male Likeness Mesh Size Named Designer Nationalism Nationalist Olden Time One Object Outer Space Overglazed Painted Patriot Patriots Plate Plate Armour Political Figure Politicsl Predator Predatory Propaganda Propaganda Film Propaganda Image Propaganda Picture Propaganda Poster Propaganda Shot Propagandistic Representation Russian Artist Russian Text Shape Shaped Single Object Soviet Soviet Russia Soviet Union Soviets Space Star Star Shape Star Shaped Starry Stars Stellar Symbole Symbolical Representation Symbolised Symbolising Symbology Union Of Soviet Socialist Republics Ussr Vladimir Iliych Lenin Vladimir Ilyich Lenin Vladimir Ilyich Ulyanov Vladimir Lenin Alphabet Letter Combat Troops Conscripts Female Soldiers Gents Items Navy Soldier Navy Soldiers Portait Portriat Soldier Troop Soviet Era Symbols Thing
10"x8" (25x20cm) Photo Print
Step back in time with our captivating selection of historical Soviet propaganda prints from Media Storehouse. This exquisite piece showcases a porcelain plate painted with the profile of Vladimir Lenin, created in 1922 by renowned artist Mikhail Adamovich. A powerful symbol of Soviet ideology, this prophetic artwork invites you to delve into the rich history of the 20th century. Each print is meticulously reproduced from the original Bridgeman Images held at Fine Art Finder, ensuring the highest quality and authenticity. Add this striking addition to your collection and bring a piece of history into your home or office.
Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a Soviet propaganda plate from 1922, featuring the striking profile of Lenin. Painted on porcelain by the talented artist Mikhail Adamovich, this piece measures 25.2 cm in diameter and is part of a private collection. The plate bears the powerful slogan "He who does not work does not eat" emphasizing the importance of labor in Soviet society. The close-up shot highlights the intricate details of this decorative kitchenware item. The red background, adorned with stars and an eagle, symbolizes power and strength associated with political figures during that era. The double-headed eagle represents both imperial and revolutionary Russia. Adamovich's artistic technique brings out Lenin's likeness remarkably well, capturing his iconic features and intense gaze. This representation serves as a reminder of his influential role as a statesman during this pivotal time in history. The historical significance of this propaganda plate cannot be understated; it reflects the political climate and ideals prevalent in early twentieth-century Russia. As an example of applied art from the renowned Imperial Porcelain Factory, it exemplifies skilled craftsmanship combined with political messaging. Through this studio shot photograph by Bridgeman Images, viewers are transported back to a time when politics permeated everyday life even through crockery like plates. It stands as a testament to how art can be used for propagandistic purposes while also showcasing Russian creativity and cultural heritage.
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