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Photographic Print : Champleve furniture or cosmetic box plaque with a winged youth, c. 700 BC (ivory)

Champleve furniture or cosmetic box plaque with a winged youth, c. 700 BC (ivory)



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Champleve furniture or cosmetic box plaque with a winged youth, c. 700 BC (ivory)

3525786 Champlevefurniture or cosmetic box plaque with a winged youth, c. 700 BC (ivory) by Neo-Assyrian, (7th century BC); 5.9 high cm; Metropolitan Museum of Art, New York, USA; (add.info.: From Fort Shalmaneser at Nimrud, Mesopotamia (ancient Kalhu)
Egyptianizing elements found in the Phoenician tradition); out of copyright

Media ID 22987416

© Bridgeman Images

Archaeological Assyria Assyrian Bloom Blossom Blossoming Bone Calah Disk Elephant Inlay Iraq Ivory Kalhu Mesopotamia Mesopotamian Near East Neo Assyrian Nimroud Nimrud Nineveh Papyrus Phoenician Solar Tusk Winged


10"x8" (25x20cm) Photo Print

Bring the ancient world into your home with our exquisite range of Photographic Prints from Bridgeman Images. This captivating Champleve furniture or cosmetic box plaque, dating back to the 7th century BC from the Neo-Assyrian period, showcases a winged youth in intricate detail. Carved from ivory, this artwork is a testament to the masterful craftsmanship of the time. Add an air of sophistication and timeless beauty to your space with this stunning piece of history.

Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Antiquities

> Fine Art Finder > Artists > Neo-Assyrian

> Africa > Egypt > Related Images

> Arts > Sculpture

> Asia > Iraq > Related Images

> Historic > Ancient civilizations > Mesopotamia > Ancient Mesopotamian art

> Historic > Cultural festivals and traditions

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> North America > United States of America > New York > Related Images


EDITORS COMMENTS
This print showcases a Champleve furniture or cosmetic box plaque with a winged youth, dating back to around 700 BC. Crafted from ivory, this exquisite piece of Neo-Assyrian art stands at an impressive height of 5.9 cm. Currently housed in the Metropolitan Museum of Art in New York, USA, it is believed to have originated from Fort Shalmaneser at Nimrud in ancient Mesopotamia. The intricate carving and delicate relief work on this plaque depict a mesmerizing scene influenced by Egyptian aesthetics within the Phoenician tradition. The figure of the winged youth is adorned with wings reminiscent of those found in ancient Egyptian mythology, symbolizing power and divinity. Every detail on this artwork reflects the skilled craftsmanship and artistic finesse prevalent during the 7th century BC in the Middle East. From the beautifully carved blossoms to the ornate decoration surrounding them, every element tells a story of cultural exchange and artistic fusion. As we admire this remarkable sculpture, we are transported back to an era where palaces stood tall and civilizations flourished. Its archaeological significance adds another layer of intrigue as it provides insights into ancient Mesopotamian society. Through its use of color and texture, including colored ivory and bone inlays, this Champleve plaque captures our imagination while preserving history for generations to come. It serves as a testament to human creativity across time and reminds us that art truly knows no boundaries or limitations.

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