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Uomo Collection

"Uomo: A Tapestry of Artistic Expressions and Human Emotions" In the timeless scene from "Romeo and Juliette, " we witness the epitome of uomo

Background imageUomo Collection: Portrait of Orlando Gibbons (1583-1625) british composer

Portrait of Orlando Gibbons (1583-1625) british composer
LRI557933 Portrait of Orlando Gibbons (1583-1625) british composer by English School, (17th century); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

Background imageUomo Collection: Portrait of polish composer Henryk Wieniawski (1835-1880)

Portrait of polish composer Henryk Wieniawski (1835-1880)
LRI557774 Portrait of polish composer Henryk Wieniawski (1835-1880) by Italian Photographer, (19th century); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

Background imageUomo Collection: Portrait of Richard Strauss (1864-1949) german composer

Portrait of Richard Strauss (1864-1949) german composer
LRI557756 Portrait of Richard Strauss (1864-1949) german composer. by Italian Photographer, (19th century); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

Background imageUomo Collection: 'Romeo et Juliet'Scene from 'Romeo and Juliette'

"Romeo et Juliet"Scene from "Romeo and Juliette"
LRI557711 " Romeo et Juliet" Scene from " Romeo and Juliette" opera by Charles Gounod (1818-1893). c.1880

Background imageUomo Collection: Comic actor with child in his arms, from Regio Arsenale near Villa Pepe, sepulchre 13

Comic actor with child in his arms, from Regio Arsenale near Villa Pepe, sepulchre 13
LRI741087 Comic actor with child in his arms, from Regio Arsenale near Villa Pepe, sepulchre 13; 15.4 cm; Museo Archeologico Nazionale, Taranto, Apuglia, Italy; Luisa Ricciarini.

Background imageUomo Collection: Metope with figure riding a tortoise, from Paestum, the Heraion at the mouth of the Sele River

Metope with figure riding a tortoise, from Paestum, the Heraion at the mouth of the Sele River
LRI741073 Metope with figure riding a tortoise, from Paestum, the Heraion at the mouth of the Sele River; Museo Archeologico Nazionale di Paestum, Parco archeologico di Paestum & Elea-Velia

Background imageUomo Collection: Statuette of Zeus Aglaus, reassembled and fragmentary and female statuette

Statuette of Zeus Aglaus, reassembled and fragmentary and female statuette
LRI741039 Statuette of Zeus Aglaus, reassembled and fragmentary and female statuette, from San Biagio alla Venella (Bernalda MT ) out-of-town sanctuary, votive offering; Museo Archeologico Nazionale

Background imageUomo Collection: Fragmentary slab of a frieze with a procession of worship scene, from Metaponto, urban sanctuary

Fragmentary slab of a frieze with a procession of worship scene, from Metaponto, urban sanctuary
LRI741053 Fragmentary slab of a frieze with a procession of worship scene, from Metaponto, urban sanctuary; length: 45 cm; Museo Archeologico Nazionale, Metaponto, Bernalda, Matera, Basilicata

Background imageUomo Collection: Portrai of an Old Man (pastel) cm. 52x40

Portrai of an Old Man (pastel) cm. 52x40
3708546 Portrai of an Old Man (pastel) cm. 52x40. by Jodi, Casimiro (1886-1948); 52x40 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageUomo Collection: Soldier (nlack ink and charcoal on paper)

Soldier (nlack ink and charcoal on paper)
3708624 Soldier (nlack ink and charcoal on paper) by Jodi, Casimiro (1886-1948); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageUomo Collection: The Painter Giovannini (nlack ink and charcoal on paper)

The Painter Giovannini (nlack ink and charcoal on paper)
3708623 The Painter Giovannini (nlack ink and charcoal on paper) by Jodi, Casimiro (1886-1948); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageUomo Collection: Caricature (black pencil on paper)

Caricature (black pencil on paper)
3708621 Caricature (black pencil on paper) by Baracchi, Augusto (1878-1942); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageUomo Collection: Portrai of an Old Man (pastel)

Portrai of an Old Man (pastel)
3708545 Portrai of an Old Man (pastel) by Jodi, Casimiro (1886-1948); 52x40 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageUomo Collection: The teacher Mario Molinari (nlack ink and charcoal on paper)

The teacher Mario Molinari (nlack ink and charcoal on paper)
3708626 The teacher Mario Molinari (nlack ink and charcoal on paper) by Jodi, Casimiro (1886-1948); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageUomo Collection: Portrait of Jules Ferry (1832-1893), French statesman

Portrait of Jules Ferry (1832-1893), French statesman
XEE555456 Portrait of Jules Ferry (1832-1893), French statesman.; Private Collection; Stefano Bianchetti

Background imageUomo Collection: Portrait of Parmenides of Elea (fl.c 5th BC) Greek philosopher

Portrait of Parmenides of Elea (fl.c 5th BC) Greek philosopher
XEE557276 Portrait of Parmenides of Elea (fl.c 5th BC) Greek philosopher.; Private Collection; Stefano Bianchetti

Background imageUomo Collection: Self-Portrait 69 Years Old (oil on canvas, 1815)

Self-Portrait 69 Years Old (oil on canvas, 1815)
LRI4605952 Self-Portrait 69 Years Old (oil on canvas, 1815) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageUomo Collection: Joan of Arc at the Siege of Orleans

Joan of Arc at the Siege of Orleans
XEE556981 Joan of Arc at the Siege of Orleans. by Lix, Frederic Theodore (1830-97); Private Collection; (add.info.: From " Histoire de Jeanne d Arc" by Louis Moland)

Background imageUomo Collection: Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx

Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx
GIA745738 Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageUomo Collection: Portrait of Thomas Christian Walther (1749-1788) danish composer

Portrait of Thomas Christian Walther (1749-1788) danish composer
LRI557885 Portrait of Thomas Christian Walther (1749-1788) danish composer. by Crescimbeni, Angelo (1734-81); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

Background imageUomo Collection: Apollo and Marsyas (oil on canvas, 1618. )

Apollo and Marsyas (oil on canvas, 1618. )
LRI4607208 Apollo and Marsyas (oil on canvas, 1618.) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Palatine Gallery, Pitti Palace, Florence; (add.info.: Apollo and Marsyas)

Background imageUomo Collection: Acroterial disc with the depiction of Heracles and the lion of Nemea, from Fratte di Salerno

Acroterial disc with the depiction of Heracles and the lion of Nemea, from Fratte di Salerno, Scigliato district
LRI741093 Acroterial disc with the depiction of Heracles and the lion of Nemea, from Fratte di Salerno, Scigliato district by Greek School, (4th century BC); 78x81 cm; Luisa Ricciarini

Background imageUomo Collection: The Circus, study (Watercolour, 1890)

The Circus, study (Watercolour, 1890)
LRI4611421 The Circus, study (Watercolour, 1890) by Seurat, Georges Pierre (1859-91); Louvre, Paris, France; (add.info.: Study for " The Circus" - Watercolour by Georges Seurat (1859-1891)

Background imageUomo Collection: Assassination attempt on Francesco Crispi by the anarchist Lega, 1894

Assassination attempt on Francesco Crispi by the anarchist Lega, 1894
XEE557611 Assassination attempt on Francesco Crispi by the anarchist Lega, 1894. by Italian School, (19th century); Private Collection; Stefano Bianchetti

Background imageUomo Collection: Male figure playing with a ball, Camera Pinta (Painted Room) (fresco)

Male figure playing with a ball, Camera Pinta (Painted Room) (fresco)
6204078 Male figure playing with a ball, Camera Pinta (Painted Room) (fresco) by Italian School, (14th-15th century); Rocca Albornoz, Spoleto, Umbria

Background imageUomo Collection: Portrait of Giuseppe Verdi (1813-1901) italian composer. Bologna, civico museo musicale

Portrait of Giuseppe Verdi (1813-1901) italian composer. Bologna, civico museo musicale
LRI557882 Portrait of Giuseppe Verdi (1813-1901) italian composer. Bologna, civico museo musicale by Tivoli, Giuseppe (1845-1925); Museo internazionale e biblioteca della musica, Bologna

Background imageUomo Collection: Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)

Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel)
6366075 Medici Chapel: Descent of Christ to the Limbo, detail, 1522 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Background imageUomo Collection: Medici Chapel: Descent of Christ to the Limbo, 1522 (oil on panel)

Medici Chapel: Descent of Christ to the Limbo, 1522 (oil on panel)
6366073 Medici Chapel: Descent of Christ to the Limbo, 1522 (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

Background imageUomo Collection: Old Man holding a hourglass, 1717 (oil on canvas)

Old Man holding a hourglass, 1717 (oil on canvas)
5973909 Old Man holding a hourglass, 1717 (oil on canvas) by Cifrondi, Antonio (1655-1730); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Background imageUomo Collection: Man with Pipe (oil on canvas)

Man with Pipe (oil on canvas)
6336385 Man with Pipe (oil on canvas) by Lugli, Albano (1834-1914); 116x86 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageUomo Collection: Francis I of Austria, 1781-82 (marble)

Francis I of Austria, 1781-82 (marble)
6343116 Francis I of Austria, 1781-82 (marble) by Canova, Antonio (1757-1822); Fondazione Canova, Possagno, Veneto, Italy; (add.info.: Francesco I d Austria, 1822 di Antonio Canova (1757 - 1822)

Background imageUomo Collection: Pope Pius VII, detail of the mozzetta, 1804-5 (marble)

Pope Pius VII, detail of the mozzetta, 1804-5 (marble)
6343027 Pope Pius VII, detail of the mozzetta, 1804-5 (marble) by Canova, Antonio (1757-1822); Musee et Domaine National de Versailles et de Trianon, Versailles, France; (add.info.: Papa Pio VII)

Background imageUomo Collection: Pope Pius VII, 1804-5 (marble)

Pope Pius VII, 1804-5 (marble)
6343026 Pope Pius VII, 1804-5 (marble) by Canova, Antonio (1757-1822); Musee et Domaine National de Versailles et de Trianon, Versailles, France; (add.info.: Papa Pio VII, 1804-5)

Background imageUomo Collection: Feeding the Hungry, detail, 1795 (plaster)

Feeding the Hungry, detail, 1795 (plaster)
6342968 Feeding the Hungry, detail, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Dare da mangiare agli affamati, 1795)

Background imageUomo Collection: Feeding the Hungry, 1795 (plaster)

Feeding the Hungry, 1795 (plaster)
6342967 Feeding the Hungry, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Dare da mangiare agli affamati, 1795)

Background imageUomo Collection: Genoa, Museum of St Augustine: Virile standing figure, by Campionese sclptor (Master of Giano)

Genoa, Museum of St Augustine: Virile standing figure, by Campionese sclptor (Master of Giano), about 1307 - 1312
6372816 Genoa, Museum of St Augustine: Virile standing figure, by Campionese sclptor (Master of Giano), about 1307 - 1312 by Italian School, (14th century); Cattedrale di San Lorenzo, Genoa

Background imageUomo Collection: Portrait of an Old Man, 1909 (oil on canvas)

Portrait of an Old Man, 1909 (oil on canvas)
5894094 Portrait of an Old Man, 1909 (oil on canvas) by Bellei, Gaetano (1857-1922); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Background imageUomo Collection: Man at the Barbers Shop (oil on canvas)

Man at the Barbers Shop (oil on canvas)
6336367 Man at the Barbers Shop (oil on canvas) by Bellei, Gaetano (1857-1922); 65.5x44 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Gaetano Bellei)

Background imageUomo Collection: Antonio Canova 1809-10 (marble)

Antonio Canova 1809-10 (marble)
6343134 Antonio Canova 1809-10 (marble) by Monti, Gaetano Matteo (1776-1847); Pinacoteca Nazionale, Bologna, Italy; (add.info.: Antonio Canova, 1809-10, di Gatano Matteo Monti (1776 - 1847)

Background imageUomo Collection: Tile depicting 'The submission of woman to man'(scene of the Old Testament), 1185-86 (bronze)

Tile depicting "The submission of woman to man"(scene of the Old Testament), 1185-86 (bronze)
6166482 Tile depicting " The submission of woman to man" (scene of the Old Testament), 1185-86 (bronze) by Pisano, Bonanno (12th century); Duomo (Cattedrale di Santa Maria Nuova), Monreale

Background imageUomo Collection: Meeting of the Betrothed Couple, 1517-08 (detached fresco)

Meeting of the Betrothed Couple, 1517-08 (detached fresco)
5973956 Meeting of the Betrothed Couple, 1517-08 (detached fresco) by Ferramola, Floriano (1480-1528); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Background imageUomo Collection: Preparatory Drawing (pencil on paper)

Preparatory Drawing (pencil on paper)
6336377 Preparatory Drawing (pencil on paper) by Mentessi, Giuseppe (1857-1931); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Giuseppe Mentessi (Ferrara)

Background imageUomo Collection: Madonna with Child and man wounded by a harquebus, ex-voto plaque, 1732 (majolica)

Madonna with Child and man wounded by a harquebus, ex-voto plaque, 1732 (majolica)
6299325 Madonna with Child and man wounded by a harquebus, ex-voto plaque, 1732 (majolica) by Italian School, (18th century); Museo Regionale della Ceramica, Deruta, Perugia, Umbria

Background imageUomo Collection: Apollo crowning Himself, 1781-82 (marble)

Apollo crowning Himself, 1781-82 (marble)
6343099 Apollo crowning Himself, 1781-82 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollo che si incorona, 1781-2, di Antonio Canova (1757 - 1822)

Background imageUomo Collection: Ritratto dell Ingegner Zampigh, 1964 (ball-point pen on paper)

Ritratto dell Ingegner Zampigh, 1964 (ball-point pen on paper)
5894077 Ritratto dell Ingegner Zampigh, 1964 (ball-point pen on paper) by Watson, Caroline (1760-1814); Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageUomo Collection: Old Man in the Snow, 1717 (oil on canvas)

Old Man in the Snow, 1717 (oil on canvas)
5973912 Old Man in the Snow, 1717 (oil on canvas) by Cifrondi, Antonio (1655-1730); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)



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"Uomo: A Tapestry of Artistic Expressions and Human Emotions" In the timeless scene from "Romeo and Juliette, " we witness the epitome of uomo, as Romeo's passion for his beloved Juliet knows no bounds. The intensity of their love echoes through the ages. Orlando Gibbons, a British composer, captured the essence in his portrait. His music resonates with raw emotions that touch our souls, reminding us of our shared humanity. Henryk Wieniawski, a Polish composer, immortalized uomo through his melodies. Each note he composed tells a story of triumphs and tribulations, reflecting the human experience in all its complexity. Richard Strauss, a German composer, painted an intricate portrait with his compositions. From joyous symphonies to melancholic ballads, he delved deep into human nature and translated it into musical masterpieces. The self-portrait by an anonymous artist at 69 years old showcases the resilience and wisdom that comes with age. Lines etched on canvas tell tales of life's victories and defeats—a testament to uomo's journey through time. Thomas Christian Walther's portrait captures another facet of uomo—the Danish composer's determination to create harmonious melodies despite life's challenges. His music becomes an anthem for perseverance against all odds. A silhouette depicting prisoner chains serves as a stark reminder that mankind is capable of both great compassion and cruelty. It prompts us to reflect on how society treats those who have transgressed—whether justice truly aligns with humanity or descends into barbarism. The decapitation episode from St. Columba's life reminds us that even saints are not immune to suffering—an exploration into mankind’s capacity for violence while questioning our own morality amidst such brutality. "Apollo and Marsyas" portrays Apollo flaying Marsyas alive—an allegory exploring themes like hubris versus humility; it forces us to confront our own flaws and the consequences of our actions.