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Photographic Print : Dawn Breaks to find the city transfigured after a night of hell, 1941 (1942)

Dawn Breaks to find the city transfigured after a night of hell, 1941 (1942)



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Dawn Breaks to find the city transfigured after a night of hell, 1941 (1942)

Dawn Breaks to find the city transfigured after a night of hell, 1941 (1942). For three nights in February 1941, thousands of bombs rained down on Swansea, killing hundreds of people and causing massive destruction. From Frontline 1940-1941. [His Majestys Stationery Office, London, 1942]

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Media ID 14973955

© The Print Collector

Blitz Bomb Damage Burning Dawn Devastation Frontline His Majestys Stationery Office Lorry Publishing Publishing House Silhouette Swansea The Stationery Office Truck Wales 2nd World War Battlefield Faaade Second World War World War Two


10"x8" (25x20cm) Photo Print

Experience the power of history with our Media Storehouse Photographic Print of 'Dawn Breaks to find the city transfigured after a night of hell, 1941 (1942)' from Heritage Images. Witness the stunning yet poignant moment as daylight breaks over Swansea, revealing the aftermath of a devastating air raid that took place over three nights in February 1941. This iconic image serves as a poignant reminder of the past and a testament to the resilience of the human spirit. Bring this piece of history into your home and create a meaningful conversation starter. Order your Media Storehouse Photographic Print today and let the story unfold.

Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > Fortior

> Europe > United Kingdom > Wales > Posters

> Europe > United Kingdom > Wales > Swansea

> Europe > United Kingdom > Wales > West Glamorgan > Swansea

> Historic > World War I and II > Battlefields

> Historic > World War I and II > World War II

> Popular Themes > The London Blitz

> Posters > Movie Posters > Landscape Burning


Dawn Breaks to find the city transfigured after a night of hell, 1941 (1942)

EDITORS COMMENTS
. This powerful print captures the aftermath of three devastating nights in February 1941 when Swansea became a target during World War II. The image portrays the city at dawn, revealing a haunting transformation caused by relentless bombing. The silhouette of buildings and vehicles against the smoky backdrop creates an eerie atmosphere that reflects the destruction and devastation inflicted upon this Welsh town. In this monochrome landscape, we see men navigating through the wreckage, their presence emphasizing both resilience and despair. A lone car stands amidst the ruins, symbolizing defiance in the face of adversity. The burning remnants serve as a stark reminder of lives lost and homes destroyed. The photograph's composition highlights not only physical damage but also emotional scars left behind by war. It encapsulates an entire era marked by sacrifice and struggle for survival. Published by His Majesty's Stationery Office in London in 1942, this print serves as a historical document capturing one chapter from Frontline 1940-1941. As we observe this snapshot frozen in time, it is impossible to ignore its significance within World War II history. This image represents countless cities affected by bombings during that tumultuous period - each with its own story of resilience and rebuilding.

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