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Photographic Print : Prisoners in the Lollards Tower, 1550s, (c1920)

Prisoners in the Lollards Tower, 1550s, (c1920)



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Prisoners in the Lollards Tower, 1550s, (c1920)

Prisoners in the Lollards Tower, 1550s, (c1920). The picture describing the straight handling of the cloase prisonners in Lollardes Tower, originally published in John Foxes Book of Martyrs, (1563). The lollard prisoners confined in the stocks are: Thomas Leyes, John Wade, George King and William Andrewe. Illustration from Story of the British Nation, Volume II, by Walter Hutchinson, (London, c1920s)

Heritage Images features heritage image collections

Media ID 14932928

© The Print Collector / Heritage-Images

Confined Confinement Cruelty Hutchinson Lollard Penitentiary Prison Prisoner St Pauls Cathedral Stocks Walter Walter Hutchinson Lollards Lollards Tower Lollardy


10"x8" (25x20cm) Photo Print

Step back in time with this historical photograph from the Media Storehouse collection. Witness the stark reality of the past with "Prisoners in the Lollards Tower, 1550s, (c1920)" by Unknown, originally published in John Foxe's Book of Martyrs (1563). This evocative image, brought to you by Heritage Images, depicts a group of prisoners being led through the Lollards Tower, their expressions conveying a sense of resilience and determination in the face of adversity. A must-have for history enthusiasts and collectors, this print offers a unique glimpse into the past and the challenges faced during the 1550s.

Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 25.4cm x 19cm (10" x 7.5")

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Towers > Cathedrals

> Arts > Artists > W > George White

> Arts > Artists > W > John White

> Arts > Artists > W > William White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Sights > St Pauls Cathedral

> Popular Themes > Religious Images

> Sport > Sports Stars > Paul George


EDITORS COMMENTS
This print takes us back to the 16th century, specifically the 1550s, where we find ourselves in the infamous Lollards Tower. The image showcases a scene of great historical significance - prisoners confined within the tower's walls. Originally published in John Foxe's Book of Martyrs in 1563, this illustration provides a straight-forward depiction of four lollard prisoners: Thomas Leyes, John Wade, George King, and William Andrewe. These men were subjected to cruel treatment as they found themselves confined within the stocks. The concept of confinement and crime is vividly portrayed here, reminding us of England's tumultuous religious history during that time. Lollardy was a religious movement considered heretical by mainstream Christianity. These brave individuals paid the price for their beliefs as they faced imprisonment for their faith. The location itself adds another layer of intrigue to this photograph; St Paul's Cathedral stands tall in the background, serving as a reminder that religion played an integral role in society during this period. As we delve into British history through this monochrome print from Walter Hutchinson's Story of the British Nation (c1920s), we are transported back to an era filled with religious fervor and persecution. This compelling image serves as a testament to human resilience and reminds us how far society has come since those dark days.

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