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Photographic Print : Sawney Stops The Way, 1862

Sawney Stops The Way, 1862



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Sawney Stops The Way, 1862

Sawney Stops The Way, 1862. A Bill was presented to parliament which would give the Metropolitan Board of Works the authority to embank the River Thames from Westminster to Blackfriars. John Bull here is the coachman driving his carriage along the rocky embankment. In his way is the Duke of Buccleugh, opposing the passage of the carriage as he was opposing the passage of the Bill. Nonetheless, the Thames Embankment Bill received the Royal Assent in August 1862. From Punch, or the London Charivari, July 5, 1862

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Media ID 14830572

© The Print Collector / Heritage-Images

Carriage Coach Coachman Duke Duke Of Heritage Image Partnership John Bull Kilt Mr Punch Punch Punchinello Scarf Speech Bubble Allegorical Figure Aristocrat Buccleugh Horse Drawn Vehicle


10"x8" (25x20cm) Photo Print

Discover the rich history of the past with our exquisite Media Storehouse Photographic Print of "Sawney Stops The Way, 1862" by the Duke of Buccleuch from Heritage Images. This captivating image offers a glimpse into the past as it depicts a pivotal moment in history, with a bill being presented to Parliament that would grant the Metropolitan Board of Works the authority to embank the River Thames from Westminster to Blackfriars. Bring history to life in your home or office with this stunning, high-quality print, perfect for history enthusiasts and collectors alike.

Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 18.5cm x 25.4cm (7.3" x 10")

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Artists > W > John White

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Boroughs > City of Westminster

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > London > River Thames

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > Scotland > Politics

> Europe > United Kingdom > Scotland > Posters


Sawney Stops The Way, 1862

EDITORS COMMENTS
is a captivating print that captures a significant moment in British history. Depicting the embankment of the River Thames from Westminster to Blackfriars, this image showcases the clash between progress and tradition. In the foreground, we see John Bull, an allegorical figure representing Britain, driving his carriage along the rocky embankment. He symbolizes progress and modernization as he pushes forward with the Thames Embankment Bill. However, standing defiantly in his path is none other than the Duke of Buccleugh, an aristocrat opposing both the passage of Bull's carriage and the bill itself. The tension between these two figures represents a larger conflict between old and new ways of thinking. While Bull seeks to improve transportation infrastructure for Londoners by embanking the river, Buccleugh stands as a staunch defender of tradition and heritage. Despite Buccleugh's opposition, it is worth noting that ultimately the Thames Embankment Bill received Royal Assent in August 1862. This victory for progress marked a turning point in London's development. This historical satire captured by Punch magazine offers us insight into not only political dynamics but also societal attitudes towards change during this period. It serves as a reminder that even amidst resistance and adversity, progress can prevail.

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