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Photographic Print : Gateshead car park DP092796

Gateshead car park DP092796



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Gateshead car park DP092796

Trinity Square car park, Gateshead, Tyne & Wear, 11 May 2010. Digital photograph by Alun Bull (1969-'). Photographed as part of a project to explore the impact of the car on buildings and places, Trinity Square car park was recorded just two months before it was demolished. Designed by the architect Rodney Gordon, the huge seven-level car park, opened in 1967, was part of a complex that included a two-storey shopping centre, indoor market, pedestrian square, childrens playground and a restaurant at the very top of the car park. The structure became known locally as the Get Carter Car Park following its prominent role in the 1971 film Get Carter, whose director, Mike Hodges, was a friend of the architect

Historic England is the public body that champions and protects England's historic places

Media ID 10929011

© Historic England

Archive Picturing England Urban


15"x10" (37.5x25cm) Poster

Discover the captivating history of Gateshead with this stunning photograph from Media Storehouse's range of Historic England Photographic Prints. Taken by Alun Bull on 11 May 2010, this digital image captures Trinity Square car park in Gateshead, Tyne & Wear, showcasing the intriguing relationship between the modern car park and the historic architecture of the area. A perfect addition to any home or office, this print invites you to explore the past and the impact of the car on our built environment. Authentically reproduced, each print comes with a certificate of authenticity, ensuring the highest quality and a long-lasting addition to your collection.

High-quality poster prints are available in a range of sizes and are printed on 270 gsm semi-glossy silk finish poster paper. An affordable option for decorating any space, they are perfect for fixing straight onto walls. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 37.5cm x 25cm (14.8" x 9.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Historic England > Historic Images > Picturing England

> Historic England > Industry > Engineering and Construction > Building Car Parks

> Arts > Artists > P > Gordon Parks

> Europe > United Kingdom > England > Tyne and Wear > Gateshead

> Europe > United Kingdom > England > Tyne and Wear > Related Images


EDITORS COMMENTS
This print captures the iconic Gateshead car park, known as Trinity Square, in all its architectural glory. Taken by photographer Alun Bull in May 2010, this digital photograph was part of a project aimed at exploring the profound impact of cars on buildings and places. Trinity Square car park stood tall for over four decades before its eventual demolition just two months after this image was captured. Designed by renowned architect Rodney Gordon, this colossal seven-level structure opened its doors to the public in 1967. It formed an integral part of a larger complex that included a bustling shopping center, indoor market, pedestrian square, children's playground, and even a restaurant perched atop the car park. Locally referred to as the Get Carter Car Park due to its prominent appearance in the influential film "Get Carter" directed by Mike Hodges in 1971 – who happened to be friends with Rodney Gordon – Trinity Square became more than just a parking facility; it became an emblematic symbol of urban life. Through Alun Bull's lens, we are transported back in time to witness this architectural marvel before its demise. This print serves as both a testament to our ever-changing built environment and a reminder of how structures can leave lasting impressions on our collective memory.

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