Photographic Print : Crowd and Unmarried Mum
Photo Prints from Mary Evans Picture Library
Crowd and Unmarried Mum
The anger of the crowd is particularly aroused by an unmarried mother Date: 1904
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14289829
© Mary Evans Picture Library
Anger Crowds Groups Unmarried Aroused
10"x8" (25x20cm) Photo Print
Experience the power of history with our Media Storehouse range of Photographic Prints. This captivating image, titled "Crowd and Unmarried Mum" by Rights Managed from Mary Evans Prints Online, captures a poignant moment in time from 1904. The anger of the crowd is palpable as they confront an unmarried mother. This evocative print invites reflection on societal norms and values of the past, making it a thought-provoking addition to your home or office decor. Order now and bring a piece of history into your space.
Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Product Size is 20.3cm x 25.4cm (8" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
1. Title: The Anger of the Crowd: A Turn-of-the-Century Controversy This evocative photograph, captured in 1904, depicts a heated crowd gathered around an unmarried mother, her face hidden from view. The scene unfolds in a bustling social setting, where groups and crowds have converged, their expressions a mix of anger, disapproval, and curiosity. The unmarried mother, a figure of controversy in this era, stands defiantly amidst the tumult, her posture unyielding. In the early 1900s, societal norms dictated that an unmarried mother was a source of shame and scandal. The crowd's anger is particularly aroused by her perceived transgression against the moral codes of the time. The photograph captures the raw emotions of the crowd, their collective outrage palpable in the set of their jaws, the clench of their fists, and the fiery glint in their eyes. The photograph is a poignant reminder of the social pressures and stigma faced by unmarried mothers during this period. It also underscores the power of public opinion and the role of social groups in shaping individual lives. The image invites us to reflect on the complex interplay between personal choices, societal expectations, and public reaction. The photograph's historical significance lies in its ability to transport us back in time, offering a glimpse into the past and the societal norms that governed it. It serves as a powerful reminder of the transformative power of time and the evolving nature of societal attitudes towards issues of morality, family, and individual freedom. In conclusion, this photograph, with its compelling narrative and rich historical context, is a must-have for anyone interested in social history, women's studies, or the evolution of societal attitudes towards unmarried mothers. It is a poignant reminder of the past and a testament to the resilience of the human spirit in the face of adversity.
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