Photographic Print : The Pain-Proof Man & Captain Ringman Jack - Ripley s
Photo Prints from Mary Evans Picture Library
The Pain-Proof Man & Captain Ringman Jack - Ripley s
Arthur Plumhoff The Human Pincushion - The Pain-Proof Man (left) and Captain Ringman Jack, who lifted weights through holes through his breasts! - Both performers at Robert Ripleys " Believe-it-or-not" Odditorium - at A Century of Progress, the International Exposition (Worlds Fair) held in Chicago from 1933 to 1934. Date: 1933
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 11558461
© Mary Evans / Grenville Collins Postcard Collection
1933 Arthur Bizarre Breasts Chest Chicago Defies Entertainers Exposition Freak Freaks Holes Human Jack Lift Lifted Lifting Lifts Needle Needles Pain Performance Performers Pins Progress Proof Ripley Safety Sideshow Unusual Weight Weights Weird Worlds Pincushion
15"x10" (37.5x25cm) Poster
Introducing the captivating "The Pain-Proof Man & Captain Ringman Jack" photograph from the Media Storehouse range of Photographic Prints, exclusively sourced from Mary Evans Prints Online. This intriguing image features two extraordinary men, Arthur Plumhoff, also known as The Pain-Proof Man, and Captain Ringman Jack. Arthur Plumhoff, showcased on the left, gained fame for his remarkable ability to endure piercings and suspensions, earning him the moniker "The Pain-Proof Man." His unwavering resilience and unique talent left audiences in awe. On the right, Captain Ringman Jack, a strongman performer, displays his impressive strength by lifting weights through holes pierced through his breasts. This daring display of physical prowess and endurance continues to fascinate and inspire. Add this one-of-a-kind photograph to your collection and bring the extraordinary world of human marvels into your home or office. Each print is professionally printed on premium quality paper, ensuring a stunning and vibrant display. Order your "The Pain-Proof Man & Captain Ringman Jack" photograph today and be inspired by the human spirit's limitless potential.
High-quality poster prints are available in a range of sizes and are printed on 270 gsm semi-glossy silk finish poster paper. An affordable option for decorating any space, they are perfect for fixing straight onto walls. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Image Size (if not cropped) is 37.5cm x 22.7cm (14.8" x 8.9")
Estimated Product Size is 37.5cm x 25cm (14.8" x 9.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This photograph showcases two extraordinary performers, Arthur Plumhoff, also known as The Pain-Proof Man, and Captain Ringman Jack, who thrilled audiences at Robert Ripley's Believe-it-or-not Odditorium during the A Century of Progress International Exposition in Chicago, held from 1933 to 1934. Arthur Plumhoff, on the left, was a human pincushion who defied logic and pain as he allowed himself to be covered in pins and needles, demonstrating an extraordinary level of insensitivity to pain. His unique act challenged the boundaries of human endurance and left spectators in awe. Captain Ringman Jack, on the right, was an equally intriguing performer who lifted weights through holes in his chest. The holes were large enough for him to insert his arms, and he would then lift impressive weights, showcasing his remarkable strength and resilience. Both performers were part of the bizarre and unusual world of sideshows, which thrived during the era of traveling carnivals and fairs. Their acts, while perhaps considered freakish or weird by some, were a testament to the human body's ability to adapt and endure. Robert Ripley's Believe-it-or-not Odditorium was a popular attraction during the World's Fair, drawing in thousands of visitors who were eager to witness the strange and unusual. The photograph captures a moment in history when the line between entertainment and amazement blurred, and the fascination with the human body's capabilities reached new heights.
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