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Poster Print : L Assiette au Beurre, number 140, Satirique en Couleurs, 1903_12_5: England Great Britain, Morocco - Edward VII (1841-1910), Delcasse Theophile (1852-1923) (lithograph)

L Assiette au Beurre, number 140, Satirique en Couleurs, 1903_12_5: England Great Britain, Morocco - Edward VII (1841-1910), Delcasse Theophile (1852-1923) (lithograph)



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L Assiette au Beurre, number 140, Satirique en Couleurs, 1903_12_5: England Great Britain, Morocco - Edward VII (1841-1910), Delcasse Theophile (1852-1923) (lithograph)

ICA4887142 L Assiette au Beurre, number 140, Satirique en Couleurs, 1903_12_5: England Great Britain, Morocco - Edward VII (1841-1910), Delcasse Theophile (1852-1923) (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 140, Satirique en Couleurs, 1903_12_5: England Great Britain, Morocco - Edward VII (1841-1910), Delcasse Theophile (1852-1923) - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc

Media ID 25212020

© Caricadoc / Bridgeman Images

Courtesy Courtier Friendship International Relations Maghrebin Maghrebine Moroccan Morocco Caricadoc Central Africa Maghreb


A4 (29.7 x 21cm) Poster Print

Add a touch of historical charm to your walls with the Media Storehouse range of Poster Prints featuring the iconic L Assiette au Beurre, number 140, Satirique en Couleurs, 1903_12_5. This captivating lithograph by Bridgeman Images from Fine Art Finder depicts England's King Edward VII and Theophile Delcasse, French Foreign Minister, during their visit to Morocco in 1903. The satirical image, created by Camara, offers a unique glimpse into the political dynamics of the time. Bring this piece of history into your home and elevate your decor with the vibrant colors and intricate details of this beautiful print.

Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 21.6cm x 30.3cm (8.5" x 11.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Cohl (1857-1938)

> Fine Art Finder > Artists > Leal de Camara

> Africa > Morocco > Related Images

> Africa > Related Images

> Europe > United Kingdom > England > Politics

> Popular Themes > Politics


EDITORS COMMENTS
This lithograph, titled "L Assiette au Beurre, number 140, Satirique en Couleurs" transports us back to the early 20th century and offers a glimpse into the complex political landscape of that time. The print features two prominent figures: Edward VII, the King of England and Great Britain from 1901 to 1910, and Théophile Delcassé, a French statesman who served as Foreign Minister from 1898 to 1905. The artwork explores the relationship between England and Morocco during this period of colonialism. It depicts Edward VII alongside Delcassé in what appears to be a friendly encounter. Their presence suggests an alliance or collaboration between these two nations. The artist behind this intricate illustration is Leal de Camara (1877-1948), whose attention to detail brings life to each character portrayed. Through his skilled handiwork, we can observe not only the physical attributes but also the personalities of both men. This print serves as a historical document that sheds light on international relations at the turn of the century. It invites us to reflect on themes such as power dynamics, friendship between nations, and cultural exchange. Overall, this lithograph captures a moment in history when politics intertwined with artistry. Its vibrant colors and meticulous details make it an intriguing piece worth exploring for anyone interested in understanding past relationships between countries or studying political satire during this era.

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