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Poster Print : Of brekynge and hurtynge of amyte and frendshyp, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving)
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Of brekynge and hurtynge of amyte and frendshyp, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving)
486402 Of brekynge and hurtynge of amyte and frendshyp, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School, (15th century) (after); Private Collection; (add.info.: Alexander Barclay (c.1476-1552) Scottish born English poet, translated Sebastian Brandts (1457-1521) Das Narrenschiff, as The Ship of Fools in 1509. Image is a facsimile of the original German woodcut of 1497 and shows a fool beating a humble man.)
Media ID 25465068
© Bridgeman Images
1497 1509 Alexander Barclay Beating Brandt Brandts Breaking Fool Foolish Fools Friendship Hitting Humble Jester Narrenschiff Sebastian Sinner Striking Translation Vice Vices Violent Brawl Brawling Fighting Conflict Hurting
A4 (29.7 x 21cm) Poster Print
Step into the captivating world of medieval satire with Media Storehouse's Poster Prints featuring the enchanting illustration, 'Of brekynge and hurtynge of amyte and frendshyp.' This captivating image, taken from Alexander Barclay's English translation of The Ship of Fools, published in 1874, showcases the intricate engraving by the German School. Witness the whimsical portrayal of the breaching and hurting of friendship and amity, a poignant reminder of the fragility of human relationships. Adorn your walls with this stunning work of art and add a touch of history and intrigue to your space.
Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 21.6cm x 30.3cm (8.5" x 11.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures an illustration from Alexander Barclay's English translation of "The Ship of Fools" published in 1874. The engraving, created by the German School in the 15th century, depicts a scene titled "Of brekynge and hurtynge of amyte and frendshyp". It is a facsimile of the original German woodcut from 1497. In this thought-provoking image, we witness a fool dressed in vibrant costume violently striking a humble man. The fool represents foolishness and vices, while the victim symbolizes innocence and humility. This powerful visual commentary on friendship showcases how trust can be broken and friendships can be destroyed through violence. "The Ship of Fools" was translated by Alexander Barclay, a Scottish-born English poet who brought Sebastian Brandt's satirical work to an English-speaking audience in 1509. The woodcut used for this illustration highlights the theme of breaking bonds between friends due to sinful behavior. As we delve into this artwork, it serves as a reminder that conflicts and clashes are not limited to physical battles but also exist within relationships. It prompts us to reflect on our own actions towards our friends and consider how our choices may impact these precious connections. Overall, this historical piece offers profound insights into human nature while showcasing the talent of both Barclay as a translator and the German School as illustrators during their respective time periods.
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