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Poster Print : AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. 1803 (engraving)
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AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. 1803 (engraving)
7262210 AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. 1803 (engraving) by Roberts, Piercy (fl.1791-1828); Bromley Museum, Orpington, UK; (add.info.: AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. etched by P Roberts and published by him April 1803 cat: 9982. A satire on Napoleons conquests of peace after the Treaty of Amiens)
Media ID 25299951
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A4 (29.7 x 21cm) Poster Print
Step back in time with our exquisite Media Storehouse Poster Print of 'An Attempt to Undermine John Bull or Working Through the Globe' by Piercy Roberts. This captivating 1803 engraving, sourced from Bromley Museum, Orpington via Bridgeman Images and Fine Art Finder, showcases a witty and intriguing commentary on the global reach of British influence. Add this historical masterpiece to your home or office decor and transport yourself to a bygone era.
Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.
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Estimated Product Size is 21.6cm x 30.3cm (8.5" x 11.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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An Attempt to Undermine John Bull or Working Through the Globe - A Satirical Depiction of Napoleon's Conquests
EDITORS COMMENTS
. This intriguing engraving, created by Piercy Roberts in 1803, offers a satirical commentary on Napoleon Bonaparte's ambitions and his conquests following the Treaty of Amiens. Titled "An Attempt to Undermine John Bull or Working Through the Globe" this artwork presents a vivid allegory of power and control. The central figure in the print is Napoleon himself, depicted in military uniform symbolizing his authority. Surrounding him are various allegorical figures representing different European nations under French influence. The artist skillfully uses color and detail to convey both the grandeur and absurdity of Napoleonic rule. Through this image, Roberts aims to undermine Napoleon's claims of peace by highlighting his relentless pursuit for dominance over Europe. The title suggests that he is attempting to weaken England (represented as John Bull) through his global conquests. This engraving serves as an important historical document, capturing the sentiments and fears surrounding Napoleon's rise to power during the early 19th century. It reflects not only British concerns about French expansionism but also broader anxieties about imperialism and its impact on national identity. Today, this artwork remains a powerful reminder of how art can be used as a tool for political critique and social commentary. Its intricate details invite viewers to explore deeper meanings behind each symbolic element, offering valuable insights into the complex history of Europe during this tumultuous period.
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