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Organdy Collection

In the 19th century, the fisherwomen of Bordeaux, France embraced the elegance and charm cotton for their special occasions

Background imageOrgandy Collection: Costume of Granville

Costume of Granville
5855760 Costume of Granville; (add.info.: Costume of Granville. A woman in her finery. This hairstyle is called the "conine." It is extraordinary that this simple style can appear so)

Background imageOrgandy Collection: Costume of Granville

Costume of Granville
5855761 Costume of Granville; (add.info.: Costume of Granville. A woman in her finery. It is not necessary to visit Granville to see this costume)

Background imageOrgandy Collection: Robe crepe noir (avec) petits volants au corsage, gilet brodé blanc sur organdi, 1938-1939

Robe crepe noir (avec) petits volants au corsage, gilet brodé blanc sur organdi, 1938-1939. Creator: Marcel Dhorme
Robe crepe noir (avec) petits volants au corsage, gilet brode blanc sur organdi, 1938-1939. Black crepe dress (with) small ruffles at the bodice, white embroidered waistcoat in organdy

Background imageOrgandy Collection: Fisherwoman of Bordeaux, France, 19th century. She wears a tall bonnet of fine organdy cotton for

Fisherwoman of Bordeaux, France, 19th century. She wears a tall bonnet of fine organdy cotton for special occasions
FLO4658239 Fisherwoman of Bordeaux, France, 19th century. She wears a tall bonnet of fine organdy cotton for special occasions, bodice with openings at the waist to reveal the shirt, fichu, apron

Background imageOrgandy Collection: Fisherwoman of Bordeaux, France, 19th century

Fisherwoman of Bordeaux, France, 19th century. She wears a tall bonnet of fine organdy cotton for special occasions, bodice with openings at the waist to reveal the chemise, fichu, apron

Background imageOrgandy Collection: Mrs. Nancy Lawson, 1843 (oil on canvas)

Mrs. Nancy Lawson, 1843 (oil on canvas)
2652566 Mrs. Nancy Lawson, 1843 (oil on canvas) by Prior, William Matthew (1806-73); 76.5x63.5 cm; Shelburne Museum, Vermont, USA; eShelburne Museum; Museum purchase

Background imageOrgandy Collection: Louisa Galland Cook Moore, 1838 (oil on canvas)

Louisa Galland Cook Moore, 1838 (oil on canvas)
2652546 Louisa Galland Cook Moore, 1838 (oil on canvas) by Field, Erastus Salisbury (1807-1900); 87.3x73.3 cm; Shelburne Museum, Vermont, USA; eShelburne Museum; Museum purchase, 1959

Background imageOrgandy Collection: Advertisement for Poiret, Premet and Jenny fashions

Advertisement for Poiret, Premet and Jenny fashions, showing four women in a range of outfits. 1917

Background imageOrgandy Collection: Back Fashion

Back Fashion
A backless dress by Victor Stiebel in striped organdie. Cut on the cross, it clings to the hips and then flares out to a floor length skirt

Background imageOrgandy Collection: Lady in white and green dress by Jeanne Lanvin

Lady in white and green dress by Jeanne Lanvin
Lady doing some light gardening in a white and green organdy dress, by Jeanne Lanvin. 1924

Background imageOrgandy Collection: Two ladies in summer dresses by Jeanne Lanvin

Two ladies in summer dresses by Jeanne Lanvin. On the left, an organdy dress with floral pattern and blue ribbon trimming

Background imageOrgandy Collection: Three summer outfits by Jean Patou and Doucet

Three summer outfits by Jean Patou and Doucet
Three fashionable young ladies in summer outfits, at a garden party. On the left, a white organdy dress with blue ribbon trimmings and a colourful nosegay at the front, by Jean Patou

Background imageOrgandy Collection: Two ladies in outfits by Philippe et Gaston and Drecoll

Two ladies in outfits by Philippe et Gaston and Drecoll
Two fashionable ladies wearing fashionable summer outfits, probably for a day at the races. On the left, a white cap-sleeve crepe dress with black floral pattern and yellow border trim


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In the 19th century, the fisherwomen of Bordeaux, France embraced the elegance and charm cotton for their special occasions. These women knew how to make a statement with their fashion choices, as depicted in paintings such as "Mrs. Nancy Lawson" and "Louisa Galland Cook Moore. " The delicate fabric was often used to create tall bonnets that added a touch of sophistication to their attire. The fisherwoman's ensemble consisted of a bodice with waist openings that revealed the shirt underneath, along with a fichu, apron, and petticoats. This combination showcased both practicality and style - an ideal blend for those working near the sea. The popularity extended beyond Bordeaux's shores. Advertisements featuring Poiret, Premet, and Jenny fashions highlighted its versatility in creating fashionable garments. Whether it was for formal events or casual outings during summer days, organdy proved to be a go-to choice. Granville also embraced this trend by showcasing stunning costumes adorned with organdy fabric. These outfits exemplified femininity while maintaining comfortability - an essential aspect when it came to fashion during that era. Jeanne Lanvin further solidified organdy's place in high-end fashion by designing exquisite dresses in white and green hues. The lady wearing one of these creations exuded gracefulness and sophistication effortlessly. Jean Patou and Doucet contributed to the love affair between women and organdy by presenting three stunning summer outfits made from this ethereal material. These designs perfectly captured the essence of warm weather while keeping up with contemporary trends. Organdy became synonymous with elegance throughout history due to its ability to elevate any outfit into something extraordinary. From humble fisherwomen in Bordeaux donning tall bonnets on special occasions to high society ladies flaunting Jeanne Lanvin's masterpieces – this fabric has stood the test of time as a symbol of refined taste and timeless beauty.