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Poster Print : Discovery of Guido Fawkes by Suffolk and Mounteagle, 1850. Artist: John Leech
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Discovery of Guido Fawkes by Suffolk and Mounteagle, 1850. Artist: John Leech
Discovery of Guido Fawkes by Suffolk and Mounteagle, 1850. A satirical illustration on the capture of Guy Fawkes. Guy Fawkes is the best known of the conspirators behind a Roman Catholic conspiracy to blow up English Houses of Parliament on 5th November 1605, when James I due to open new session. From The Comic History of England by Gilbert Abbott A. Beckett, illustrated by John Leech [Bradbury, Agnew & Co. London, 1850.]
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Media ID 14928318
© The Print Collector
A Beckett Admiral Thomas Howard Beckett Candle Candlelight Candles Cellar Comic History Of England Conspiracy Conspirator Contrast Discovery Earl Of Earl Of Suffolk Fawkes G A Gilbert Abbott Ga Gilbert Abbott Gilbert Abbott Gilbert Abbott A Gilbert Abbott A Beckett Guido Fawkes Guy Fawkes Houses Of Parliament Howard Howard Thomas James I James Vi Of Scotland John Leech King James I King James Vi Of Scotland King Of England Leech Palace Of Westminster Ruff Size Suffolk Thomas Howard 1st Earl Of Suffolk Roman Catholicism William Parker
A4 (29.7 x 21cm) Poster Print
Add a touch of history to your walls with our stunning Media Storehouse Poster Print of "Discovery of Guido Fawkes by Suffolk and Mounteagle" by John Leech. This captivating 1850 illustration depicts the famous moment of Guy Fawkes' capture, a pivotal event in English history. Known for his satirical art, Leech masterfully brings the scene to life, making this print a must-have for history enthusiasts and art lovers alike. Order now and bring a piece of the past into your home or office.
Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 30.3cm x 21.6cm (11.9" x 8.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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Discovery of Guido Fawkes by Suffolk and Mounteagle, 1850 - A Satirical Glimpse into Infamous History
EDITORS COMMENTS
. In this intriguing print titled "Discovery of Guido Fawkes by Suffolk and Mounteagle" artist John Leech captures a pivotal moment in English history. The image is part of the renowned publication "The Comic History of England" by Gilbert Abbott A. Beckett, illustrated with finesse by Leech. Set within the dimly lit interiors of an opulent palace cellar, the scene unfolds during a fateful night in 1605. Bathed in flickering candlelight, we witness the dramatic unveiling of Guy Fawkes, infamous conspirator behind a Roman Catholic plot to blow up the Houses of Parliament. This audacious act was intended to occur on November 5th when King James I was due to open a new session. Leech's masterful use of color and contrast adds depth to this satirical illustration. The grandeur and size disparity between characters highlight their roles within this historical event. Dressed in elaborate attire befitting his status as Earl of Suffolk, William Parker stands alongside Admiral Thomas Howard as they uncover Fawkes' treachery. This artwork not only offers insight into religious tensions during that era but also showcases Leech's talent for capturing humor amidst serious subjects. It serves as a reminder that even significant moments can be portrayed with wit and satire. As we gaze upon this remarkable print from the nineteenth century, it transports us back to a time when political intrigue intertwined with religious fervor—a testament to how art can immortalize history for generations to come.
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