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Poster Print : Grave of the Black Dwarf, 1845. Creator: Unknown
Poster Prints from Heritage Images
Grave of the Black Dwarf, 1845. Creator: Unknown
Grave of the Black Dwarf, 1845. The headstone of...a poor deformed creature called David Ritchie, who, when even arrived at mans estate, was only about three feet five inches in height. He was much deformed, and obtained amongst his neighbours...the nick name of " Bowed Davie". When...he died, he was found to have hoarded twenty pounds - like a canny misanthrope as he was. His demise took place, after a few days illness, in December, 1811, at the age of seventy one. He was buried in Manor churchyard [in Peeblesshire in the Scottish Borders]; a rowan-tree (mountain ash) was planted at the head of his grave - a part of it now remaining to mark the spot. Now, however, it is more effectually rescued from oblivion by a head-stone, which has been recently erected by the Messrs. W. and R. Chambers, the eminent litterateurs and publishers of Edinburgh. From " Illustrated London News", 1845, Vol VII
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Media ID 20549584
© The Print Collector/Heritage Images
Cemetery Churchyard Disabilities Disability Disabled Grave Graves Gravestone Gravestones Graveyard Prejudice
A3 (42 x 29.7cm) Poster Print
Step back in time with our captivating Media Storehouse Poster Print featuring the enigmatic Grave of the Black Dwarf, 1845. This vintage image, sourced from Heritage Images, unveils the headstone of an intriguing character named David Ritchie, who stood at just over three feet five inches tall when fully grown. A poignant reminder of history's lesser-known stories, this evocative print adds depth and character to any space, igniting curiosity and conversation. Embrace the allure of the past with this unique and intriguing addition to your collection.
Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 30.6cm x 42.6cm (12" x 16.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Grave of the Black Dwarf, 1845 - A Testament to Resilience and Misunderstanding
EDITORS COMMENTS
. This print captures the solemnity of the "Grave of the Black Dwarf" a poignant reminder of human resilience in the face of prejudice. The headstone marks the final resting place of David Ritchie, known as "Bowed Davie" due to his severe physical deformities. Standing at only three feet five inches tall, he was an outcast amongst his neighbors. Despite his hardships, Bowed Davie managed to accumulate twenty pounds during his lifetime – a testament to his canny nature as a misanthrope. In December 1811, after succumbing to a brief illness at seventy-one years old, he was laid to rest in Manor churchyard in Peeblesshire, Scotland. Atop his grave stands a rowan-tree (mountain ash), its remaining branches serving as a poignant marker for this forgotten soul. The significance of Bowed Davie's story is further underscored by the recent erection of a headstone by renowned Edinburgh litterateurs and publishers Messrs. W. and R. Chambers in 1845. This act ensures that Bowed Davie's memory will not be lost to oblivion but rather preserved for generations to come. This photograph invites contemplation on themes such as disability rights, societal prejudices, and our collective responsibility towards marginalized individuals throughout history. It serves as both an artistic representation and historical documentation from Britain's nineteenth century era – capturing not just one man's life but also shedding light on broader concepts like religion, death, and country. Through this image we are reminded that even amidst adversity and misunderstanding lies stories waiting patiently for their voices to be heard once again.
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