Poster Print : Ausnahmegesetze (emergency laws). Thomas Theodor
Poster Prints from Mary Evans Picture Library
Ausnahmegesetze (emergency laws). Thomas Theodor
Ausnahmegesetze (emergency laws). Thomas Theodor Heine Caricature comparing Bismarcks inability to contain the social democracy and Joseph Wirth, Chancellor of Germany from 1921 to 1922, to contain the monarchists. Published in the German satirical magazine Simplicissimus, July 26, 1922. Engraving
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Media ID 14183817
© Iberfoto/Mary Evans
1815 1898 1921 Bismarck Chancellor Comparing Democracy Emergency Engravings Heine Histoa63 A Histoa63 O Historia Historica Historico Institution Institutional Institutions Laws Otto Policies Politicians Repression Satirical Socialism Socialist Socialists Theodor Weimar Wirth 1922 Inability Monarchists Oppressor Simplicissimus
A4 (29.7 x 21cm) Poster Print
Introducing the Media Storehouse range of high-quality poster prints, featuring the thought-provoking caricature "Ausnahmegesetze (Emergency Laws)" by Thomas Theodor Heine. This captivating print, sourced from Mary Evans Prints Online, offers a fascinating glimpse into German history. Heine's masterful illustration brilliantly compares the challenges faced by Chancellor Otto von Bismarck in containing the rising social democracy movement with those encountered by Joseph Wirth, who served as Chancellor of Germany from 1921 to 1922. This engaging piece is not only a captivating addition to any history or art enthusiast's collection, but also an excellent conversation starter. Order your very own Media Storehouse poster print today and bring a piece of historical art into your home or office.
Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 21.6cm x 30.3cm (8.5" x 11.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This engraving by Thomas Theodor Heine, published in the German satirical magazine Simplicissimus on July 26, 1922, offers a scathing commentary on the political landscape of post-World War I Germany. The image compares the challenges faced by two prominent German politicians during turbulent periods in German history: Chancellor Otto von Bismarck and Chancellor Joseph Wirth. Bismarck, depicted on the left, is shown attempting to contain the social democracy movement with one hand, represented by a large, muscular figure labeled "Socialism," while being confronted by a monarchist, symbolized by an aristocratic figure labeled "Reaction." The caption below reads, "Otto von Bismarck (1815-1898): The Oppressor vs. the Oppressed." On the right, Chancellor Joseph Wirth (1879-1956), who served as Chancellor from 1921 to 1922, is shown struggling to contain the monarchists, symbolized by a group of hooded figures labeled "Monarchists." The caption below reads, "Joseph Wirth (1879-1956): The Oppressed vs. the Oppressor." This caricature highlights the political instability and turmoil that marked the Weimar Republic, a period of German history marked by political and social upheaval. The image underscores the challenges faced by German leaders during this time, as they sought to navigate the complexities of a rapidly changing political landscape and maintain the stability of the young democracy. Thomas Theodor Heine's engraving is a testament to the power of satire as a means of commenting on political events and engaging the public in the discourse of the day. The image remains a valuable historical document, shedding light on the political tensions and challenges faced by Germany during the Weimar Republic and beyond.
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