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Poster Print : Cartoon, The True Lovers Knot

Cartoon, The True Lovers Knot



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Cartoon, The True Lovers Knot

Cartoon, The True Lovers Knot -- a satirical comment on a free trade treaty (the Cobden-Chevalier Treaty, signed on 23 January 1860) between Britain and France, showing Britannia and the French Emperor, Napoleon III, kneeling, with the MP Richard Cobden standing over them, officiating as minister. The treaty has been described as the first modern trade agreement. Date: 1860

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23358532

© Mary Evans Picture Library

1860 Agreement Comment Depiction Free Knot Ribbon Ribbons Satire Satirical Symbolic Symbolism True


A4 (29.7 x 21cm) Poster Print

Introduce a touch of wit and historical intrigue to your walls with Media Storehouse's exclusive range of poster prints. Featuring the iconic cartoon, "The True Lovers Knot" by Rights Managed from Mary Evans Prints Online, this satirical piece offers a humorous commentary on the Cobden-Chevalier Treaty signed between Britain and France in 1860. With its vivid colors and intricate details, this poster print is not only an eye-catching addition to any room but also a conversation starter. Order yours today and bring a piece of history into your home or office.

Premium quality poster prints are printed on luxurious semi-gloss satin 270 gsm paper. Our meticulously crafted poster prints offer an affordable option for decorating any space, making them ideal for living rooms, bedrooms, offices and beyond. To ensure your poster arrives in good condition, we roll and send them in strong mailing tubes.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 21.6cm x 30.3cm (8.5" x 11.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Mary Evans Prints Online > New Images August 2021

> Arts > Artists > C > Chevalier Chevalier

> Arts > Artists > E > Richard Evans

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> Arts > Pop art > Satire > Satirical artwork

> Popular Themes > Politics


EDITORS COMMENTS
The True Lovers Knot: A Satirical Comment on the Cobden-Chevalier Treaty of 1860 This political cartoon, titled "The True Lovers Knot," offers a satirical take on the historic Cobden-Chevalier Treaty signed between Britain and France on January 23, 1860. This groundbreaking agreement marked the first modern free trade treaty in history, paving the way for increased economic cooperation between the two European powers. In this intriguing image, we see Britannia, the personification of Great Britain, and the French Emperor, Napoleon III, kneeling before the influential British politician, Richard Cobden. Cobden, depicted in his parliamentary attire, officiates the ceremony, symbolizing his role as a minister in the union of the two nations. The title "The True Lovers Knot" is a reference to the ribbons tied around the couple's heads, symbolizing the eternal bond of marriage. The knots also represent the intertwined economic interests of Britain and France, which were believed to be strengthened by the treaty. The visual commentary on the treaty is further emphasized by the symbolic use of uniforms and helmets. Britannia wears a crown and holds a trident, emphasizing her power and sovereignty, while Napoleon III is dressed in a military uniform, signifying his authority. The use of these symbols underscores the political significance of the treaty, which was seen as a major diplomatic victory for both countries. The satirical nature of the cartoon lies in the subversive depiction of the political figures involved. Cobden, who was a leading figure in the free trade movement, is portrayed as the officiant, emphasizing his role in brokering the agreement. However, the image also hints at the potential power imbalance between the two nations, with Britannia towering over Napoleon III. This subtle commentary on the dynamics of the treaty adds an intriguing layer of complexity to the visual representation of this pivotal moment in international relations.

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