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Poster Print : Start of the riot in Cheapside
Poster Prints from Mary Evans Picture Library
Start of the riot in Cheapside
Artistic impression of Evil May Day, the name of a riot which took place in 1517 as a protest against foreigners living in London. Apprentices attacked foreign residents. Some of the rioters were later hanged although King Henry VIII granted a pardon for the remainder following public pleadings from his wife Catherine of Aragon. Date: 19th century
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Media ID 20032632
© Mary Evans / Peter & Dawn Cope Collection Mary Evans / Peter & Dawn Cope Collection
1517 Apprentices Aragon Artistic Attacked Catherine Cheapside Evil Foreign Foreigners Granted Hanged Impression Living Pardon Protest Remainder Residents Riot Rioters Some Start Viii
A4 (29.7 x 21cm) Poster Print
Step back in time with our captivating selection from the Media Storehouse range of Historical Poster Prints. This evocative image, titled "Start of the Riot in Cheapside," transports you back to the tumultuous events of Evil May Day in 1517. Witness the intensity of the protest against foreigners living in London as depicted in this artistic impression from Mary Evans Picture Library. Add this historical masterpiece to your walls and bring a piece of the past into your home or office. Experience the power of history with every glance.
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Estimated Image Size (if not cropped) is 30.3cm x 20cm (11.9" x 7.9")
Estimated Product Size is 30.3cm x 21.6cm (11.9" x 8.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Evil May Day - The Start of the Riot in Cheapside
EDITORS COMMENTS
(An Artistic Impression of a Historical Event from the 16th Century) This evocative print captures the chaotic beginning of the infamous Evil May Day riot that erupted in Cheapside, London, in 1517. The scene depicts a mob of apprentices, fueled by anti-foreign sentiment, attacking unsuspecting residents from various European nations. The tension between the native Londoners and the foreigners had been simmering for some time, but it was the influx of new arrivals and the subsequent economic competition that finally ignited the flames of rebellion. The rioters, armed with makeshift weapons, are shown storming through the bustling streets of Cheapside, leaving destruction in their wake. The print masterfully conveys the sense of fear and chaos that enveloped the city during those fateful days. The foreigners, caught off guard, are shown fleeing for their lives or defending themselves against the relentless onslaught. Following the riots, King Henry VIII, who was away from London at the time, was faced with the daunting task of restoring order. He granted a pardon to the rioters, spurred on by public pleadings from his wife Catherine of Aragon, who was herself a foreigner. However, some of the ringleaders were not so fortunate and were later hanged for their roles in the violence. This artistic impression, created in the 19th century, serves as a poignant reminder of the complex and often volatile social dynamics of the past. It invites us to reflect on the power of prejudice and the consequences of unchecked anger and mob mentality. The print also highlights the important role that historical records and artistic expressions play in preserving the stories of the past and shedding light on the human experiences that shaped our world.
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