Ethiopian animal, 16th century

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Ethiopian animal, 16th century

Ethiopian animal. 16th-century artwork of Ethiopians with an animal called a hulpalim from the island of Zocotere near or off the coast of Ethiopia. This animal had a red pelt, resembled a large marmot, and had a face like a monkey s. The accompanying text described how it was kept in cages by the Ethiopians. Artwork from Cosmographie universelle (1575) by the French explorer and writer Andre Thevet (1516-1590). This book described the history and geography of the lands in which Thevet had travelled. The two volumes and four tomes contain over 1000 pages divided into 23 books. This woodcut is from chapter XI of book IIII

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 9199631

© MIDDLE TEMPLE LIBRARY/SCIENCE PHOTO LIBRARY

1500s 1575 16th Century Africa African Andre Thevet Black Capture Capturing Club Cosmographie Universelle Ethiopia Ethiopian Extinct French Holding Hunt Hunter Hunters Hunting Large Mediaeval Medieval Megafauna Middle Ages Mythical Creature Natural History Tail Weapon Woodcut Abyssinia Abyssinian Marmot

EDITORS COMMENTS
This print takes us back to the 16th century, showcasing an intriguing artwork depicting Ethiopians with a fascinating creature known as a hulpalim. The image, captured by Todd-White Art Photography, showcases a woodcut from Andre Thevet's renowned book "Cosmographie universelle" published in 1575. The artwork portrays Ethiopian individuals holding captive this enigmatic animal that hailed from the island of Zocotere near or off the coast of Ethiopia. With its red pelt resembling a large marmot and a face reminiscent of a monkey, this mythical creature captivates our imagination. The accompanying text reveals that these creatures were kept in cages by the Ethiopians, offering insight into their relationship with wildlife during that era. This historical illustration sheds light on the rich zoological diversity present in Ethiopia during the Middle Ages. André Thevet's extensive work encompassed over 1000 pages divided into 23 books, providing readers with detailed accounts of his explorations and encounters across various lands. Chapter XI of Book IIII houses this particular woodcut print, adding to its significance within his comprehensive body of work. Through this remarkable photograph print, we are transported back in time to witness not only an artistic representation but also gain insights into both human history and natural history intertwined within one frame.

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