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Affresco Collection

Step into a world of timeless artistry with the captivating frescoes that adorn the walls and domes of various historical masterpieces

Background imageAffresco Collection: Marriage of Cupid and Psyche, 1517-18 (fresco)

Marriage of Cupid and Psyche, 1517-18 (fresco)
2646205 Marriage of Cupid and Psyche, 1517-18 (fresco) by Penni, Giovanni Francesco (il Fattore) (c.1488-1528); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageAffresco Collection: Dante reading his works (fresco)

Dante reading his works (fresco)
6262792 Dante reading his works (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior, Chapel Nova or St)

Background imageAffresco Collection: Marble tabernacle and frescoes, The Chapel of the Corporale

Marble tabernacle and frescoes, The Chapel of the Corporale
6262822 Marble tabernacle and frescoes, The Chapel of the Corporale; Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

Background imageAffresco Collection: Frescoes on the interior dome of the 'Basilica of Sant Andrea'

Frescoes on the interior dome of the "Basilica of Sant Andrea"
Frescoes on the interior dome of the " Basilica of Sant Andrea", a Roman Catholic Cathedral and minor basilica in Mantua, Lombardy, Italy

Background imageAffresco Collection: Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun

Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun
6365888 Limbs and Demons; The Poor calling Death; Corpses of a Cardinal, a Woman and a Nun, fragments from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell

Background imageAffresco Collection: Procris impaled by the never erring javelin, Cephalus running towards her and Aurora

Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
2646162 Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) by Peruzzi

Background imageAffresco Collection: Jesus falling under the Cross, 1520

Jesus falling under the Cross, 1520
2562741 Jesus falling under the Cross, 1520 by Pordenone, Giovanni Antonio (1484-1539); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy, Italy; (add.info.: Cremona)

Background imageAffresco Collection: Hercules slaying Antaeus, from the Yellow Room, 16th century, detail of 2384746 (fresco)

Hercules slaying Antaeus, from the Yellow Room, 16th century, detail of 2384746 (fresco)
2384750 Hercules slaying Antaeus, from the Yellow Room, 16th century, detail of 2384746 (fresco) by Italian School, (16th century); Rocca Meli Lupi, Soragna, Parma, Italy; (add.info.: Parma, Soragna)

Background imageAffresco Collection: Procris impaled by the never erring javelin, Cephalus running towards her and Aurora

Procris impaled by the never erring javelin, Cephalus running towards her and Aurora
2646163 Procris impaled by the never erring javelin, Cephalus running towards her and Aurora and Titone on a chariot pulled by four horses, 1517-18 (fresco) (detail of 2646162) by Peruzzi

Background imageAffresco Collection: Capture of Christ, by Master of the right apse of St Francis in Montefalco, detached fresco

Capture of Christ, by Master of the right apse of St Francis in Montefalco, detached fresco, end XIV century
6254891 Capture of Christ, by Master of the right apse of St Francis in Montefalco, detached fresco, end XIV century by Italian School, (14th century); Palazzo Trinci, Foligno, Umbria

Background imageAffresco Collection: Venus instructing Cupid to launch an arrow, 1517-18 (fresco)

Venus instructing Cupid to launch an arrow, 1517-18 (fresco)
2646206 Venus instructing Cupid to launch an arrow, 1517-18 (fresco) by Colle, Raffaello dal (c.1490-1566); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageAffresco Collection: View of the Southern Wall of the Room of the Little Dog, 1560-1561 (fresco)

View of the Southern Wall of the Room of the Little Dog, 1560-1561 (fresco)
2632659 View of the Southern Wall of the Room of the Little Dog, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imageAffresco Collection: Universal Harmony surrounded by gods: Zeus with an eagle, Mars, Apollo with the lyre, Venus

Universal Harmony surrounded by gods: Zeus with an eagle, Mars, Apollo with the lyre, Venus, Mercury with caduceus
2632647 Universal Harmony surrounded by gods: Zeus with an eagle, Mars, Apollo with the lyre, Venus, Mercury with caduceus, Diana with dogs, and Saturn, the central octagon of the Hall of Olympus

Background imageAffresco Collection: Allegories of Winter and Spring (Vulcan and Venus), Southern Wall

Allegories of Winter and Spring (Vulcan and Venus), Southern Wall, lunette above the Door to the Crociera Room
2632642 Allegories of Winter and Spring (Vulcan and Venus), Southern Wall, lunette above the Door to the Crociera Room, Hall of Olympus, 1560-1561 (fresco) by Veronese

Background imageAffresco Collection: The Nemesis, The Room of the Oil Lamp, 1560-1561 (fresco)

The Nemesis, The Room of the Oil Lamp, 1560-1561 (fresco)
2632627 The Nemesis, The Room of the Oil Lamp, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imageAffresco Collection: The Hunter, Hall of Olympus, 1560-1561 (fresco)

The Hunter, Hall of Olympus, 1560-1561 (fresco)
2632625 The Hunter, Hall of Olympus, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imageAffresco Collection: Psiche together with Venus and Juno, 1517-18 (fresco)

Psiche together with Venus and Juno, 1517-18 (fresco)
2646195 Psiche together with Venus and Juno, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageAffresco Collection: 'The resurrected Christ', c. 1420 (fresco)

"The resurrected Christ", c. 1420 (fresco)
5051377 " The resurrected Christ", c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena, Italy; (add.info.: Vignola Stronghold, the Contrari Chapel)

Background imageAffresco Collection: 'Resurrection'and 'Descent into Limbo', Detail of Christ and the sleeping Roman soldiers, c

"Resurrection"and "Descent into Limbo", Detail of Christ and the sleeping Roman soldiers, c
5051433 " Resurrection" and " Descent into Limbo", Detail of Christ and the sleeping Roman soldiers, c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola

Background imageAffresco Collection: Transept, external part of The Bardi Chapel: St. Francis and the Stigmata, 1320-25

Transept, external part of The Bardi Chapel: St. Francis and the Stigmata, 1320-25
6365905 Transept, external part of The Bardi Chapel: St. Francis and the Stigmata, 1320-25 by Giotto (Giotto di Bondone) (c.1266-1337); Santa Croce, Florence

Background imageAffresco Collection: Scenes of the life of Christ: Resurrection

Scenes of the life of Christ: Resurrection
6365961 Scenes of the life of Christ: Resurrection by Gerini, Niccolo di Pietro (fl.1368-1415); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross, sacristy)

Background imageAffresco Collection: Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius

Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius
6365884 Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell

Background imageAffresco Collection: Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph

Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death
6365883 Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 by Orcagna

Background imageAffresco Collection: Stories regarding Alexander the Great, 1516-19 (fresco)

Stories regarding Alexander the Great, 1516-19 (fresco)
2646077 Stories regarding Alexander the Great, 1516-19 (fresco) by Sodoma, Giovanni Antonio Bazzi (1477-1549); Villa Farnesina, Rome, Italy; (add.info.: Rome)

Background imageAffresco Collection: Alexander the Great taming Bucephalusm 1519 (fresco)

Alexander the Great taming Bucephalusm 1519 (fresco)
2646076 Alexander the Great taming Bucephalusm 1519 (fresco) by Sodoma, Giovanni Antonio Bazzi (1477-1549); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageAffresco Collection: Dariuss Family before Alexander the Great, 1519 (fresco)

Dariuss Family before Alexander the Great, 1519 (fresco)
2646071 Dariuss Family before Alexander the Great, 1519 (fresco) by Sodoma, Giovanni Antonio Bazzi (1477-1549); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageAffresco Collection: God among the clouds, Faith showing the road to Eternity to Charity and Charity leading the Sinner

God among the clouds, Faith showing the road to Eternity to Charity and Charity leading the Sinner
2632629 God among the clouds, Faith showing the road to Eternity to Charity and Charity leading the Sinner and treading precious necklaces, The Room of the Oil Lamp, 1560-1561 (fresco) by Veronese

Background imageAffresco Collection: Innocence sending away Deceit, 1734 (fresco)

Innocence sending away Deceit, 1734 (fresco)
5949103 Innocence sending away Deceit, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Background imageAffresco Collection: Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas)

Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas)
LRI4608326 Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas) by Master of Mocchirolo (fl.c.1350); Pinacoteca di Brera, Milan

Background imageAffresco Collection: Detail of 'The Assumption of Mary', 1745-48 (fresco)

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928826 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

Background imageAffresco Collection: 'The Pentecost', Detail with two praying saints c. 1420 (fresco)

"The Pentecost", Detail with two praying saints c. 1420 (fresco)
5051474 " The Pentecost", Detail with two praying saints c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena, Italy; (add.info.: Vignola Stronghold)

Background imageAffresco Collection: 'Assumption of the Virgin'and 'the Virgin Mary dropping the girdle or Holy Belt to St

"Assumption of the Virgin"and "the Virgin Mary dropping the girdle or Holy Belt to St
5051419 " Assumption of the Virgin" and " the Virgin Mary dropping the girdle or Holy Belt to St. Thomas ", Detail of an apostle

Background imageAffresco Collection: 'The Mystical Lamb', symbol of sacrifice for the redemption of mankind, c. 1420 (fresco)

"The Mystical Lamb", symbol of sacrifice for the redemption of mankind, c. 1420 (fresco)
5051373 " The Mystical Lamb", symbol of sacrifice for the redemption of mankind, c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena

Background imageAffresco Collection: The Choir of the Apostles, 1500-04 (fresco)

The Choir of the Apostles, 1500-04 (fresco)
6262745 The Choir of the Apostles, 1500-04 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: Chapel Nova or Chapel of St)

Background imageAffresco Collection: Palazzina (Small Building), the third room or room of the Aeneid: 'Venus, as a huntress

Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress
5962691 Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress, appears to her son Aeneas and his companion Achates on the beach of Libya

Background imageAffresco Collection: Unidentified figure (fresco)

Unidentified figure (fresco)
6336454 Unidentified figure (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence, Italy; (add.info)

Background imageAffresco Collection: 'Portrait of Saint (St. Yves Helory?) (fresco)

"Portrait of Saint (St. Yves Helory?) (fresco)
6336451 " Portrait of Saint (St. Yves Helory?) (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence

Background imageAffresco Collection: Allegory of Justice, detail of the vault (fresco)

Allegory of Justice, detail of the vault (fresco)
6336445 Allegory of Justice, detail of the vault (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence

Background imageAffresco Collection: Allegory of the Dialectic (fresco)

Allegory of the Dialectic (fresco)
6336437 Allegory of the Dialectic (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence, Italy; (add.info.: Frescoes by Jacopo di Cione (brother of Orcagna, 1366-1406)

Background imageAffresco Collection: Male figure playing with a ball, Camera Pinta (Painted Room) (fresco)

Male figure playing with a ball, Camera Pinta (Painted Room) (fresco)
6204078 Male figure playing with a ball, Camera Pinta (Painted Room) (fresco) by Italian School, (14th-15th century); Rocca Albornoz, Spoleto, Umbria

Background imageAffresco Collection: Venus on the cart, pulled by white doves, 1517-18 (fresco)

Venus on the cart, pulled by white doves, 1517-18 (fresco)
2646192 Venus on the cart, pulled by white doves, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageAffresco Collection: The Court of Love, Room of the Conjugal Love, 1560-1561 (fresco)

The Court of Love, Room of the Conjugal Love, 1560-1561 (fresco)
2632638 The Court of Love, Room of the Conjugal Love, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Room of the Conjugal Love)

Background imageAffresco Collection: Venus prays Neptune to protect Aeneas ships, from Aeneid Canto V, detail of 2384655 (fresco)

Venus prays Neptune to protect Aeneas ships, from Aeneid Canto V, detail of 2384655 (fresco)
2384659 Venus prays Neptune to protect Aeneas ships, from Aeneid Canto V, detail of 2384655 (fresco) by Abate, Nicolo dell (c.1509-71); Galleria e Museo Estense, Modena, Italy; (add.info.: Modena)

Background imageAffresco Collection: Cybo chapel (northern arm of the transept), vault: Resurrection of Jesus Christ, 1910 (fresco)

Cybo chapel (northern arm of the transept), vault: Resurrection of Jesus Christ, 1910 (fresco)
6372334 Cybo chapel (northern arm of the transept), vault: Resurrection of Jesus Christ, 1910 (fresco) by Pogliaghi, Ludovico (1857-1950); Cattedrale di San Lorenzo, Genoa, Italy; (add.info.: Genoa)

Background imageAffresco Collection: 'Harvest', detail from the Camerino dei Baccanali (fresco)

"Harvest", detail from the Camerino dei Baccanali (fresco)
3707513 " Harvest", detail from the Camerino dei Baccanali (fresco) by Lippi, Filippino (c.1457-1504) (and workshop); Castello Estense, Ferrara, Italy; (add.info.: Ferrara)

Background imageAffresco Collection: Mercurius, 1517-18 (fresco)

Mercurius, 1517-18 (fresco)
2646204 Mercurius, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageAffresco Collection: Saint Marc the Evangelist, detail of the Vault of the Choir, 1505-1510 (fresco)

Saint Marc the Evangelist, detail of the Vault of the Choir, 1505-1510 (fresco)
1630065 Saint Marc the Evangelist, detail of the Vault of the Choir, 1505-1510 (fresco) by Pinturicchio, Bernardino di Betto (c.1452-1513); Santa Maria del Popolo, Rome

Background imageAffresco Collection: View of the Loggia di Galatea, 1511-1514 (fresco)

View of the Loggia di Galatea, 1511-1514 (fresco)
2646173 View of the Loggia di Galatea, 1511-1514 (fresco) by Italian School, (16th century); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)



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Step into a world of timeless artistry with the captivating frescoes that adorn the walls and domes of various historical masterpieces. From the ethereal "Marriage of Cupid and Psyche" to Dante immersing himself in his own literary creations, these vibrant murals transport us to different eras. As we gaze upon the intricate details within the Basilica of Sant Andrea, our eyes are drawn towards celestial scenes painted on its interior dome. Eurybates and Talthybius guide Briseis towards Agamemnon, their figures frozen in time as if telling an ancient tale. In another corner, fragments from a detached cycle depict haunting imagery from "The Triumph of Death, " "Last Judgement, " and "Hell. " Limbs intertwine with demons while death claims its victims – a cardinal, a woman, and a nun. These remnants serve as reminders of mortality's grip on humanity throughout history. Moving forward in time, we witness Procris impaled by an unerring javelin while Cephalus races towards her side. Aurora and Titone glide across the sky in their chariot pulled by four majestic horses. The vivid colors bring this mythological scene to life before our very eyes. Further along our journey through frescoed corridors, Jesus stumbles under the weight of his cross—a poignant moment captured forever on canvas. Hercules stands tall as he slays Antaeus with unwavering strength—an epic battle immortalized for all to see. Lastly, we encounter the heart-wrenching depiction of innocence lost—the Massacre of Innocents unfolds before us with chilling detail. This tragic event serves as a stark reminder that even amidst beauty lies darkness waiting to be unveiled. These frescoes tell stories spanning centuries—each stroke capturing emotions that transcend time itself. They invite us to marvel at human creativity while contemplating themes both divine and mortal.