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Monaco, Set design for Tristan and Isolde by Richard Wagner
Wall Art and Photo Gifts from Universal Images Group (UIG)
Monaco, Set design for Tristan and Isolde by Richard Wagner
Richard Wagner (1813-1883), Tristan und Isolde (Tristan and Isolde), Set design by Michael Echter
Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide
Media ID 9496237
© DEA PICTURE LIBRARY
Angel Arms Up Arts Culture And Entertainment Background People Costume Dress Four People Historical Clothing Kneeling Lying On Back Mixed Age Range Performance Performer Performing Arts Event Stage Stage Costume Stage Makeup Stage Set Theatrical Performance Non Urban Scene
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This print showcases the exquisite set design for Richard Wagner's timeless masterpiece, Tristan and Isolde. Created by the talented Michael Echter, this full-length image captures a mesmerizing scene from the 19th-century performance. In the foreground, a performer dressed in an elaborate costume kneels with arms raised towards the heavens, portraying an angelic figure. The stage is adorned with a majestic tree that adds depth and symbolism to the composition. Intriguingly, four individuals can be seen in the background, adding to the overall ambiance of this non-urban setting. The combination of men and women of mixed ages creates a diverse tableau against which this theatrical event unfolds. The fine art painting evokes a sense of historical grandeur as it transports us back to an era when performing arts were at their zenith. The attention to detail in both stage makeup and costumes is evident, showcasing the dedication and craftsmanship involved in bringing Wagner's vision to life. As we gaze upon this remarkable photograph print from Universal Images Group (UIG), we are reminded of how art has always been intertwined with culture and entertainment throughout history. It serves as a testament to humanity's enduring love affair with creativity and expression on stage sets like these – where dreams come alive through visual storytelling.
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