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Doctrine of the Signatures, the theory of medicine that like cures like. 1, 2, 3, 4

Doctrine of the Signatures, the theory of medicine that like cures like. 1, 2, 3, 4


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Doctrine of the Signatures, the theory of medicine that like cures like. 1, 2, 3, 4

Doctrine of the Signatures, the theory of medicine that like cures like. 1, 2, 3, 4, 5: Various varieties of Amaranthus. Divers suppose the flowers of these plants doe helpe to stay the fluxe of blood in man or woman, because that other things are red or purple doe performe the same, . 6-10 Everlasting flowers (Helichrysum and Gnaphalium which are dried for decoration, and put in drawers to discourage moth. Woodcut from Paradisi in Sole Paradisus Terrestris by John Parkinson (London, 1629)

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Media ID 9754471

© Universal History Archive/Universal Images Group

1629 Blood Cure Cures Decoration Divers Doctrine Dried Drug Flowers John Medicinal Medicine Moth Paradisi Paradisus Parkinson Plant Plants Purple Signatures Sole Terrestris Theory Varieties Woodcut Amaranthus Discourage Drawers Everlasting Helichrysum Stay Suppose Things


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> Europe > United Kingdom > England > London > Related Images

> Universal Images Group (UIG) > History > London


EDITORS COMMENTS
This print showcases the intriguing concept of the Doctrine of the Signatures, a theory of medicine that suggests "like cures like". The image features an assortment of vibrant Amaranthus flowers, numbered 1 to 5, which are believed by some to possess medicinal properties that can help control bleeding in both men and women. This belief stems from the observation that other red or purple substances also exhibit similar effects. Additionally, the print includes a series of dried Everlasting flowers, specifically Helichrysum and Gnaphalium varieties (numbered 6 to 10). These delicate blooms were traditionally used for decorative purposes and placed in drawers as a natural moth deterrent. The woodcut illustration originates from John Parkinson's renowned botanical work titled Paradisi in Sole Paradisus Terrestris, published in London back in 1629. The image not only highlights the diverse beauty found within these plants but also sheds light on their potential medicinal applications according to this centuries-old doctrine. It serves as a fascinating glimpse into historical beliefs surrounding herbal remedies and how different elements of nature were once thought to hold curative powers

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