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The Irrepressible Tourist, View of Otto von Bismarck
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The Irrepressible Tourist, View of Otto von Bismarck
The Irrepressible" Tourist. Otto von Bismarck, Chancellor of Germany, as depicted by John Tenniel in " Punch" London, 29 August 1885, the year in which he turned his attention to acquiring colonial territories for Germany
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Media ID 9699733
© Universal History Archive
1885 Authority Chancellor Cigar Colonialism Confidence Document German Culture Globe Headwear Historical Clothing Illustration Technique Moustache One Mature Man Only Otto Von Bismarck Paper Politics Pride Punch Text Western Script John Tenniel Smoking Issues
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EDITORS COMMENTS
This print captures the essence of Otto von Bismarck, the renowned Chancellor of Germany, in a moment that epitomizes his unwavering confidence and authority. Depicted by John Tenniel in "Punch". London on 29 August 1885, this portrait showcases Bismarck's influential role during a pivotal year when he turned his attention towards acquiring colonial territories for Germany. In this full-length illustration, Bismarck sits proudly with a globe before him, symbolizing his ambitious vision for German expansion. Clad in historical clothing and adorned with an impressive moustache, he exudes power and determination. The vertical composition emphasizes his stature as a political figurehead. As smoke swirls from his cigar, it is evident that Bismarck was not only focused on matters of state but also enjoyed indulging in smoking issues. His loyal canine companion rests at his side, serving as both a faithful companion and perhaps an emblem of loyalty to the nation. The meticulous illustration technique employed by Tenniel brings every detail to life – from the texture of Bismarck's headwear to the intricate Western script on the document held firmly in his hand. This image serves as a testament to German culture and history during this era. Through this photo print, we are transported back to London in 1885 where Otto von Bismarck stood tall as "The Irrepressible Tourist" leaving an indelible mark on politics and colonial aspirations alike
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