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Ancient Spain divided into three distinct areas, namely Terraconensis, Lusitania and Baetica and also divided into peoples, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection

Ancient Spain divided into three distinct areas, namely Terraconensis, Lusitania and Baetica and also divided into peoples, engraving by G. Zuliani taken from Tome I of the 'Newest Atlas' published in Venice in 1785 by Antonio Zatta, Private Collection


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Ancient Spain divided into three distinct areas, namely Terraconensis, Lusitania and Baetica and also divided into peoples, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection

Ancient Spain divided into three distinct areas, namely Terraconensis, Lusitania and Baetica and also divided into peoples, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785. Artist:Zuliani G

Alinari
PDP-A-ZATTA4-0032

Media ID 33189777

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


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EDITORS COMMENTS
This print showcases an exquisite engraving from the 18th-century "Newest Atlas" by Antonio Zatta, offering a glimpse into the ancient division of Spain. The intricate artwork, created by G. Zuliani, depicts three distinct areas: Terraconensis, Lusitania, and Baetica. Each region is meticulously illustrated with its own unique characteristics and boundaries. The artist's attention to detail transports us back in time to explore the diverse peoples inhabiting this ancient land. Through delicate lines and shading techniques, Zuliani masterfully captures the essence of each community within their designated territories. This remarkable piece not only serves as a geographical map but also as an allegory for communication and human connection across vast landscapes. It symbolizes how territory can shape cultures and societies while highlighting the importance of understanding our shared history. The Renaissance-Baroque styles employed in this engraving further enhance its artistic value. The meticulous craftsmanship reflects both the technical skills of the period and an appreciation for beauty in cartography. Dating back to 1785, this artwork has stood the test of time and continues to captivate viewers today. Its presence in private collections speaks to its significance as a historical document that transcends generations. Through Alinari's expert photography, we are able to appreciate every intricate detail of this masterpiece from Florence Engraving Eighteenth Century Europe. This photograph allows us to delve into a world where art meets cartography—a visual representation that embodies centuries' worth of knowledge and exploration

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