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Asia Minor divided into its parts or rather provinces, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
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Asia Minor divided into its parts or rather provinces, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
Asia Minor divided into its parts or rather provinces, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0037
Media ID 33187693
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta. The artwork, titled "Asia Minor divided into its parts or rather provinces" is a true testament to the Renaissance-Baroque styles and periods that flourished during the eighteenth century in Europe. The intricate details of this engraving transport viewers back to a time when cartography was not only a means of communication but also an art form. With precision and skill, Zuliani masterfully captures the geographical or topographical map of Asia Minor, dividing it into its various provinces. Each line and curve on this allegorical representation symbolizes both abstract concepts and tangible territories. As we delve deeper into this mesmerizing piece, we are reminded of the importance of maps as instruments and documents that shape our understanding of geography. This artwork serves as a visual testament to how humans have sought to comprehend their surroundings throughout history. The juxtaposition between the artist's craftsmanship and modern photography highlights the timeless beauty inherent in this piece. The photograph itself was captured in 2009 by Alinari, showcasing their expertise in capturing historical artworks with utmost clarity. In conclusion, this print offers us a glimpse into both past eras –the eighteenth-century Europe– where renaissance-baroque styles thrived, as well as ancient times represented through first and second millennium A. D. . It invites us to appreciate not only the technical prowess behind such engravings but also their significance as expressions of culture, communication, and human curiosity about our world's vast landscapes.
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