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Asian Russia, divided into its provinces, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta, Private Collection
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Asian Russia, divided into its provinces, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta, Private Collection
Asian Russia, divided into its provinces, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785 ca.. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0012
Media ID 33189741
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome IV of the "Newest Atlas" published in Venice by Antonio Zatta. The artwork, dating back to approximately 1785, depicts Asian Russia meticulously divided into its provinces. With its Renaissance-Baroque style and period influence, this piece embodies the artistic essence of eighteenth-century Europe. The intricate details within this engraving are a testament to Zuliani's exceptional craftsmanship. Each province is intricately outlined and labeled, providing a comprehensive understanding of the region's geography. This map serves as both an instrument and document that conveys vital information about the territory it represents. Beyond its practical purpose, this artwork also possesses allegorical elements that transcend mere cartography. It symbolizes the power of communication and human connection across vast distances—a concept beautifully expressed through lines on paper. As we delve deeper into this masterpiece, we are transported back in time to witness how maps served as crucial means of communication during the first and second millenniums AD. They were not merely tools for navigation but also windows into different cultures and civilizations. Displayed against a backdrop of Florence Engraving Eighteenth Century aesthetics, this print encapsulates the fusion between artistry and functionality prevalent during that era. Its timeless appeal continues to captivate viewers even today. Through Alinari's lens in 2009, we can appreciate every stroke made by Zuliani over two centuries ago—each line representing countless hours spent perfecting his craft. This photograph allows us to cherish not only the beauty but also the historical significance embedded within this remarkable work of art.
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