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The Barbary Coast or The Kingdoms of Morocco, Fez, Algeria, Tunisia and Tripoli with surrounding countries, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
The Barbary Coast or The Kingdoms of Morocco, Fez, Algeria, Tunisia and Tripoli with surrounding countries, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
The Barbary Coast or The Kingdoms of Morocco, Fez, Algeria, Tunisia and Tripoli with surrounding countries, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1784. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0016
Media ID 33189749
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "The Barbary Coast or The Kingdoms of Morocco, Fez, Algeria, Tunisia and Tripoli with surrounding countries". Created by the talented artist G. Zuliani in 1784, this masterpiece was published in Venice as part of the renowned "Newest Atlas" by Antonio Zatta. The artwork itself is a testament to the intricate craftsmanship of the Renaissance-Baroque styles and periods. It beautifully captures the essence of eighteenth-century Europe through its detailed depiction of territories and landscapes. As one gazes upon this print, they are transported back in time to a world where cartography played a vital role in understanding our vast planet. Symbolizing more than just geographical accuracy, this engraving serves as an allegory for communication and knowledge dissemination. It represents an era when maps were not only instruments but also documents that conveyed important information about different regions and cultures. With its abstract concepts and symbols intertwined within its borders, this artwork transcends mere representation. It evokes curiosity about distant lands while simultaneously celebrating human ingenuity in mapping out our world. Photographed by Alinari in 2009 from their private collection Florence Engraving Eighteenth Century series, this image preserves the beauty and historical significance of Zuliani's work for generations to come. Its presence reminds us of how art can bridge gaps between centuries, allowing us to appreciate both past achievements and present advancements in cartography. In conclusion, this extraordinary print encapsulates not only a specific moment in history but also embodies timeless themes such as exploration, communication, and artistic expression.
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